Dune & Frank Herbert immortalized by Centipede Press in a limited edition that creates a uniquely bold, intricate, imaginative, and sharp book, a true work of art – illustrated by Mark Molnar – befitting a masterpiece that is one of the greatest science-fiction novels of all time.
There are few works as grandiose, moving, tragic and exhilarating as Frank Herbert’s Dune.
The following book review of Dune by Frank Herbert is SPOILER-FREE* and will touch on the story and then focus on the signed-limited fine press edition published by Centipede Press in 2021-2022.
Dune can be summed up as masterful sci-fi, and every facet of the Centipede Press tome does it justice.
Dune is one of my favorite books, and so as to not give a 30-page thesis of a review on the story for the ages, I am tabling that (at least for today) in favor of focusing on what I consider the epitome of a physical book encompassing the revolutionary work of Frank Herbert.
For the uninitiated, Dune is another name for the desert planet Arrakis – which aside from tiny polar ice caps – is entirely covered in desert.
Arrakis is itself one of the most dominant characters in the book.
The extremely harsh environment makes water the most valued commodity for any living or traveling on the planet, and it molds one of the toughest peoples that live in the deep desert, the Fremen.
Arrakis is also the only place in the galaxy where spice mélange is found. This is found in sand patches and has to be mined quickly before gargantuan sand worms arrive; they dwarf even Guild spaceships and come to devour spice, or anything on the surface making unnatural noise.
The spice is a drug-like property found in many things like flavoring for cooking, or as part of recreational drug use, and it also has hallucinogenic prescient properties making it the sole way the Guild navigators can successfully fold space and time, achieving interstellar travel.
Dune and the spice are necessities to that space flight monopoly.
The characters, Paul Atriedies, and his mother the Lady Jessica, Stilgar, truly make the story what it is, as they grow amidst the innovative world building, where the setting, revenge, intricate politics, and innovative technology intermingle within the galactic regime.
But beware this work is a tragedy, similar in some ways to Homer’s Oedipus (but not the Oedipean complex), and so there are joys and pains and losses and victories, but the book is fully fleshed and nothing is one-sided, not even joy.
WARNING! I have tweaked the Goodreads summary of the book here to be near to Spoiler-Free*:
“Dune is the story of the boy Paul Atreides, heir to a noble family tasked with ruling an inhospitable world where the only thing of value is the “spice” melange, a drug capable of extending life and enhancing consciousness. Coveted across the known universe, melange is a prize worth killing for…
“When House Atreides is betrayed . . . [Paul] evolves into the mysterious man known as Muad’Dib, [but] will [he] bring to fruition humankind’s most ancient and unattainable dream? [And at what cost will the attempt bring to Paul and to all?]”
End of Spoiler Warning*
Centipede Press accomplished something truly extraordinary with their S/L of Dune: their offering is a vast work of art that truly bears the essence of the journey of Paul Atreides from Caladan to Arrakis.
And speaking of art . . .
Mark Molnar’s incredible illustrations and paintings for Dune have become definitive views of the characters and world.
The overall book design is sleek, sexy, and works to capture Mark’s art in every aspect, from the capped slipcase’s spine window onto a worm illustration to the similar circular cutout in the cover boards.
There is a stunning and vast two-sided dustjacket featuring an enormous painting of Paul Muad’Dib with spear amongst the vast stony and sandy Arrakean backdrop as a worm’s surfaced beneath the planet’s two moons that look golden on the horizon.
There is a large foldout map – from the original publication – showing the areas of the planet that are discussed in the book.
The book is printed on Mohawk Superfine paper, and there are over a dozen interior full color illustrations by Mark Molnar and the back of each one has a gritty sand-like feel to it that is a lot of fun in the hand.
But the feel of the numbered edition is like nothing I have ever experienced, as the black Nabuka Prestige cloth is a suede-like other-worldly smoothness.
There are 500 signed editions and 250 unsigned, and the latter have a fine Japanese cloth binding.
Though Frank Herbert is not with us writing in the physical realm any longer, his family and his son, Brian (who helped his father in the writing of the last couple of books in the series), approved a facsimile signature.
And what is more, the book has an introduction by Michael Swanwick and he and Brian Herbert and Mark Molnar have signed the 500 copies.
The epic tale is encapsulated in a mammoth book sized at 7¼ × 11 inches.
And the other five books in the Dune series are forthcoming with 500 signed copies and matching numbers to the owners of Dune.
If you get an opportunity to acquire a signed or unsigned C.P. edition of this great tale, do not pass it up!
Philip K. Dick’s The Cosmic Puppets via Centipede Press Wows, and I mean Wows with a great limited edition of a fantastic book!
Philip K. Dick is an inspiration of mine, and I have only perused a healthy percentage of his prolific body of work…so far.
There is no writing, no fiction, like that of PKD. Nothing comes close.
For this very special article, we kick off the new year with a TFF book review of the 1957 Philip K. Dick classic The Cosmic Puppets and then my first fine press review of the Centipede Press treatment, which they have given to PKD in a gorgeous boxed set trilogy that also contains Dr. Futurity, and Vulcan’s Hammer.
The following TFF Book Review of The Cosmic Puppets by Philip K. Dick is *Spoiler Free
I was surprised upon reading Michael Swanwick’s introduction to this edition that this book is considered Dick’s only fantasy novel.
But I hate labeling genres, and I do not know it, but I suspect he would have as well.
What is immediately intriguing at the outset is the utter realness of the protagonist Ted Barton, as his emotions, confusion and painful revelations shake the reader to their core.
You feel what he feels, and as the precarious situation gets stranger and grander in scope than one would think possible, the suspension of disbelief is there and we hungrily eat up the world that has been built.
It is through this vessel that crafting such a marvelous world is possible.
That world is Ted’s hometown, which he returns to after many years to find its history is not as he has remembered.
And there are unexpected gods, unforeseen characters of diabolical, selfish, and devious minds, and also their foils who are dying lights amidst the darkening battleground for something far vaster than Ted could have ever guessed.
It is here that Philip K. Dick’s voracious appetite for reading Carl Jung, Plato, and any philosopher of note’s text that he could get his hands on shines through masterfully in myriad nuanced subtleties.
Some of the symbolism may seem more obvious, but it is but done in new and unique ways, whether in the grandiose cosmic chess matches, the battles of nature – in all manner of creatures’ strife; nature versus nature – and even in the creation of life through clay it is all remarkable.
The pacing, the stomach gripping suspense, and the quickly unfolding mystery that seizes the weird, and Ted with it, fiercely make this a book that once started cannot be put down.
The Cosmic Puppets by Philip K. Dick As Part Of The Centipede Press Signed Limited Edition Boxed Set Is Spectacular!
The box itself has navy and black cloth and emits quality.
And despite a very modest price-point, not one, but three great PKD novels are encompassed in beauty and a sense of dedication that truly pays respect and homage to the great author’s work.
I am still blown away by the production.
The Centipede Press edition of The Cosmic Puppets is limited to 300 copies signed by all of the contributors, including by Michael Swanwick, Peter Strain, and Chris Moore, with an Estate-approved facsimile signature by Philip K. Dick.
The book itself features an amazing theme bound to the dustjacket art by Peter Strain, which features a boy whose melted head contains a chessboard, honeycombs, and a flurry of bees, while beneath him rests the town upside down, in distress, and it wraps around to the spine and the back as the pieces are held by a hand pulling their strings!
And beneath the jacket is the finest black cloth, with two color foil stamping, and an asteroid-like design bearing Philip K. Dick’s signature on the front, as well as little specks of tiny meteors possibly.
A Centipede staple, there is a history presented in the book’s cover art, from its first novel form in Ace’s two-novel 35 cent paperback to many others, throughout the brilliant introduction.
The fonts, the gorgeous archival artwork by Chris Moore, and the entire design is truly a work of art.
And with that my dear friends, Eager Readers, and comrades, I can give you something to look forward to: there are two other novels in this boxed set that are begging for me to review.
Happy New Year! [I have been told I will have to put money into the jar if I say that after today]
Bird Box by Josh Malerman shatters minds with SST brilliance, as the author’s 2014 debut novel rattles all senses with the riveting tale like no other, so too, does SST Publications craft a signed limited numbered edition that is reminiscent of the book’s world, sharp and wonderfully haunting.
Civilization falls to chaos, as those who see something, some creature, go insanely violent on themselves and/or others: welcome to Bird Box.
There are few tales so poignant that you root for the characters so strongly you feel their utter incessant terror so strongly.
The following book review of Bird Box by Josh Malerman will contain *SPOILERS up until the fine press edition of the S/L book from SST is reviewed in detail.
Is Malorie insane?
Clearly the world she resides in has gone insane.
The mother of two debates taking a dangerous winter trip on a river toward a possible sanctuary.
They will be in a rowboat for twenty miles.
The boy and the girl are four, and they will have to risk going outside and traversing the river up to a section of rapids blindfolded the entire way.
The mother’s words are rough with the two children, stern, and candid: they must not take off their ‘folds’ no matter what happens.
Outside, unknown creatures cause madness upon sight of them.
You see it and you lose it and go mortally violent; unless, of course, you are already mad yourself, and then you will welcome the embrace of the savior or cleanser or xenocidal force that has been unleashed on earth.
I had a feeling early into the novel that I had no idea what the creatures were and I might end the book without knowing what they were.
That idea is a tricky writer to reader relationship, to say the least (more on this later).
Aspects of the creatures accumulate: they could be small or enormous, they could be frequently stalking all humans, or sporadically invading city streets, row by row, they could be trying to touch, or scare blindfolded people into looking at them.
The unnerving loss of sight and the unknown haunting menace gives far more weight to the thrilling Bird Box than many of the great suspense novels out there.
The story flashes back and forth, from when Malorie first finds out she was pregnant and the subsequent unraveling of society and back to the dangerous river voyage.
As the world collapses, she escapes to a house that is a sanctuary, of sorts.
It has a well, electricity from a hydroelectric dam and a lot of stores for the half a dozen or so trying to live out the horror in a home with all the windows covered; for safety, no one sees the sky anymore.
The dynamics of the semi-democratic household full of realistic characters with great personalities and their own unnerving anxieties – that decide when or when not to take in someone like Malorie, a showing pregnant woman that will be two mouths to feed before long – are enthralling.
Malorie’s love for another grows, as the housemates struggle to adapt and get along and progress.
Can the landline, not powered by electricity but by a weak electrical signal in a phone cord, let them reach others who have survived with their sanity intact.
For a long time, I thought the birds would be the monsters in the book.
But it is the finding of a cardboard box full of birds at an abandoned home that brings a real-time alarm, a chirping warning system, for when the creatures get close that is essential to surviving.
Only Malorie and her children survive the house, and the birds, and together they march on to a place that someone on the phone says is a real sanctuary for any who can make it up the river to them.
The place is protected and full of good people.
And so Malorie waits until she deems the kids can understand enough to take the trip in the rowboat and she risks it all.
Getting to her destination by route of that damn river is so nerve shredding!
Sure, there are creatures, but there are also animals living in the wooded region that you forget about in the apocalyptic times, like wolves that attack and badly injure Malorie.
She even passes out and wakes to find her kids have learned to each row a paddle, in tandem.
Nothing was more creepy or intense than actually getting to the sanctuary and seeing through Malorie’s eyes as she risks it and takes off the fold and assesses whether or not the place is a trap or a real safe zone for her and the kids.
Your stomach will tighten and spasm with fear, as the worst seems inevitable.
But that is Malorie’s view, of fear, and not the reality, and when she realizes they are all safe it is one of the most beautiful moments in literature – I got choked up.
She had never named the boy or girl, her kids, and the entire novel they are called ‘boy’ and ‘girl’ so that Malorie upon getting them to safety names them, finally, for the girl’s mother who died in the house giving birth at the same time Malorie birthed her son, and she names him after her love that she met in the house.
And after all of the non-stop page turning full of realism, blood, tension, terror, and time that goes by in the grim world, the reader does not get to find out what the creature is.
And it works brilliantly.
*SPOILERS END here.
The SST Publications limited edition of Bird Box by Josh Malerman is marvelous and the fine press production is reviewed here.
The book is signed by the author, Malerman, and artist Ben Baldwin and has a limitation of 400 copies.
And this book is stunning to behold.
The SST Bird Box cover art and dust jacket is one of the wildest designs I have ever seen!
The child is wearing the blindfold and hearing the world shown: their trip on the river, the flying birds, the forest and the rickety speaker setup – the lone semblance of society – and of course blue tone for the cold and the water, and lots of darkness wherein the mysterious creature could be anywhere.
And that is just the dust jacket art. The design wraps around and even goes all the way to the folded in parts at the boards – it looks amazing and would make a great poster.
The six illustrations by Baldwin are remarkable and visceral, and my favorite, by far, is of the screams as the poor home owner goes mad, tied to his chair; it gives me the shivers.
SST’s Bird Box edition is a perfect emanation of Josh Malerman’s story within.
The clothbound book is sturdy and a gorgeous light blue with blue foil stamping.
This is one for the ages.
As my first voyage into SST Publications, I could not be more impressed with the UK fine press publisher.