Mar 22, 2026 | book review, Book Reviews, fantasy, piranesi, speculative fiction, Spoiler-Free, susanna clarke
There is no way to prepare readers for walking into the dream that is the astounding, infinite labyrinthine halls of Piranesi’s house.
I will do my best, but any reminiscing about Susanna Clarke’s incredible book of fantasy can only prepare you for a deep mystery amidst a magical setting so innovative, realistic, and unnerving, that it will only touch on the surface of Piranesi.
There is a world built quickly around the young man, Piranesi, that seems to be lost in a flooded world, or a universe of worlds, that reside within one isolated coastal house or possibly…a gargantuan museum especially built to expand ever onward.
Piranesi reminds me of being blissfully lost in the suspenseful mystery and immersive world, an enigma, in China Mieville’s The City and the City.
The protagonist, Piranesi, is endearing, meticulous, intelligent, and is an adult with a tenacious thirst for exploration and learning and human conversation.
He is so very lonely and flawed.
There are so few left alive in the house’s seemingly endless maze for him to speak with, after all.
Through his handwritten recordings of discoveries and observations, and his mapping of rooms, corridors, star patterns, and statues – these, he worships like gods – there is a feeling that the more Piranesi grows and the more he finds out, the more his mind may be unraveling.
This is one of, if not, the best unreliable narrator I have ever read, because, you are never quite sure throughout the entirety of Clarke’s book if you can trust 99% of Piranesi’s account, or only 9% of it.
So in a memorable and powerful way, Clarke’s story becomes much more than a radically different fantasy novel, it becomes a thrilling page-turner.
The story is flawless – you could write classes to teach around the execution of this book’s brilliant arc, alone.
The prose in Piranesi is scintillating, visually resplendent, and moving enough to cast a spell on unsuspecting readers.
The characters are full of their own ticks and biases, some benign and some very much not, but all have their own goals and interests.
Susanna Clarke’s Piranesi could not be more original; and I could not give a higher compliment for this masterpiece.
“Piranesi by Susanna Clarke: New Mind-bending Magical Realism” Was Written By R.J. Huneke.
About the Author of Piranesi:
Susanna Clarke’s debut novel Jonathan Strange & Mr Norrell was first published in more than 34 countries and was longlisted for the Man Booker Prize and shortlisted for the Whitbread First Novel Award and the Guardian First Book Award. It won British Book Awards Newcomer of the Year, the Hugo Award and the World Fantasy Award in 2005. The Ladies of Grace Adieu, a collection of short stories, some set in the world of Jonathan Strange & Mr Norrell, was published by Bloomsbury in 2006. Piranesi was a New York Times and Sunday Times bestseller, and shortlisted for the Costa Novel of the Year Award, the RSL Encore Award and the Women’s Prize for Fiction. [bookshop.org]
Oct 8, 2025 | book review, Book Reviews, Horror, Nat Cassidy, sci-fi, Spoiler-Free, When the Wolf Comes Home
The Crocodile by Fyodor Dostoevsky: humorous satire astounds in its lethal wit and sharp criticisms of ‘the Old Guard’, elitist aristocracy, Westernization, greed, and the Russian government in the late 1800s.
I hope Kurt Vonnegut read and reveled in Dostoevsky’s The Crocodile!
As a bonus, I read this book in a scintillating limited edition fine edition crafted by Century Press; I will examine this closely further down the book review.
The premise is simple enough for this hundred page novella: a man is swallowed whole by a crocodile in an aristocratic carnival-like setting and he continues to live on, albeit literally in the belly of the beast.
Dostoevsky’s tale is often labeled absurdly surreal, and it is that.
But the laugh out loud humor can also bring tears (not crocodile tears, yuck, yuck), because of the stark criticisms on display.
This book could just have easily been written for the west in the 20th and 21st centuries, as the metaphor has ferocity in The Crocodile.
Dostoevsky’s swallowed character, Ivan, represents personal struggles amidst systemic corruption in government and society, as well political and social oppression in order to retain the status quo of suffering . . . this is our fun character the silent crocodile who is slowly digesting Ivan.
It is funny how Dostoevsky pinpoints, in particular, how the old elites feel ‘progressives’ and ‘education’ were always to blame for the people suffering, even as foreign companies bought up housing and tripled prices ‘to keep the peasants’ busy in their suffering and to keep them paying into the system.
This was late 1800s Russia.
Here is a short passage on the economy and housing according to a wealthy elitist:
The metaphor is strong in this one!
The satire is thick, the humor prevalent, and I really wonder if this work influenced Mark Twain or Kurt Vonnegut Jr.
Now this gorgoeous goatskin book is small but remarkable and letterpress printed for not much over a hundred Euro.
I am floored with this book – the letterpress printed linework art is incredible, the scales chapter pages superb in green and black, and the custom endpapers I was lucky to attain are tactile-wise so much fun and the visuals are one-of-a-kind amazing!
I will be keeping an eye on every book Century Press makes.
Limited to 250 copies, Century Press is proud to present a striking new edition of The Crocodile like it’s never been seen before.
A brand new translation of Dostoyevsky’s “Editorial Preface” that accompanied the original publication of The Crocodile in Dostoevsky’s journal, The Epoch. This preamble to the story will be published in English for the first time in our edition.
An annotated and revised version the English Garnett translation from Dr. Sarah J. Young, a professor of Russian literature at UCL in London, as well as comprehensive introduction of her own.
Illustrated for the first time with four pieces by UK-based illustrator Rohan Eason.
Printing and Bindery Specs
Fully bound in vegetable-tanned, cypress goatskin leather from the Hudson Valley
Two-colour letterpress printed on premium 100% cotton ‘Flurry’ paper with a 1956 Heidelberg ‘Windmill’ platen press, typeset in Academy
Italian, tight-weave, cotton ribbon bookmark
Original gold-stamped artwork on front cover, back cover, and spine by Oksana Tarasenko.
All pre-orders received a special edition of The Crocodile with handmade endsheets from master Canadian artist Susan Kristoferson.
Her stunning paste papers were exhibited by the Grolier Club earlier this year, and have been acquired by NYC’s Metropolitan Art Museum as part of their Paper Legacy Collection.
“The Crocodile by Fyodor Dostoevsky: humorous satire astounds” Was Written By R.J. Huneke.
R.J. Huneke was just interviewed on the Tilting at Windmills show to discuss his newest book of fiction ANTS WAKING coming Oct. 28th!
Watch it now here!
And yes, RJ’s newest book is almost out! What is the premise? I’m glad you asked:
Coming October 28, 2025 – For readers of fantasy, Ants Waking by R.J. Huneke is a thrilling, visceral magical realism tale about an autistic college freshman in the magical city of Cambridge racing against meddlesome gods for the means to thwart their friend’s premature death before a Dark storm consumes them.
The title novella is accompanied by Huneke’s illustrations plus bonus material: previously published and unpublished short stories and select poetry, all of which were newly revised by Huneke to provide an author’s preferred text.
STAY TUNED FOR UPDATES ON RJHUNEKE.COM TO TIMES, LINKS & DETAILS FOR R.J. HUNEKE’S ANTS WAKING BOOK TOUR 2025, INCLUDING AN EXCLUSIVE TFF AUTHOR INTERVIEW IN NOVEMBER WITH SCI-FI GREAT RUSS COLCHAMIRO!
Preorder ANTS WAKING here and get in on free signed remarqued bookplates here!
Aug 21, 2025 | book review, Book Reviews, Horror, Nat Cassidy, sci-fi, Spoiler-Free, When the Wolf Comes Home
When the Wolf Comes Home by Nat Cassidy: a poignant thriller, this book is must-read weird fiction, and a fast-paced, genre-smashing classic.
Fans of great horror, fantasy, and literary fiction will not want to miss this one.
Dare I mention Ray Bradbury?
“As if the universe chose that moment to come alive for them and tell them there was nothing to worry about. As if it knew their names.”
― Nat Cassidy, When the Wolf Comes Home
Cassidy builds on accessible page-turning genre fiction and establishes endearing characters that you would give an eye to, just to see that they are okay (see what I did there?).
The boy becomes our adopted son and our endearing friend met during the hardest of times.
The following book review of When the Wolf Comes Home by Nat Cassidy will be Spoiler-free.
I cannot understate how difficult it is to write a realistic five-year-old that you fall in love with, as if they were your own child in trouble.
And make no mistake, terrible trouble is following this runaway boy and leaves behind a slew of bloody wrecks that used to be bodies.
This is not a spoiler as it is touched on in the novel’s description: the boy can turn his every fear into reality.
This power is unnerving, terrifying, and awe-inspiring.
Two favorite trailblazing books of mine – two cornerstones of contemporary fiction – reverberate in my head while reading When the Wolf Comes Home: Cormac McCarthy’s The Road and Stephen King’s Firestarter.
This brilliant modern fairy tale soars to innovative heights while remaining grounded in two GREAT protagonists the reader cares deeply for: Jess and the boy.
The young woman, a failing actress with a heart of gold, and big time father issues, is also a brilliant, likable character you root for wholeheartedly.
This is one of the best books I have read this year.
If you love Ray Bradbury or Richard Matheson, do as the King says: “Sink your teeth into a classic.” —Stephen King
“The wolf lets out a tremendous, world-splitting roar. The stench is appalling: rot and decay and the promise of ruined flesh.”
― Nat Cassidy, When the Wolf Comes Home
We reviewed Nat Cassidy’s Mary too and it is also phenomenal.
“When the Wolf Comes Home By Nat Cassidy: A Poignant Thriller” Was Written By R.J. Huneke.
Jun 10, 2025 | book review, Book Reviews, Martha Wells, Murderbot, sci-fi, science fiction, Spoilers
Murderbot Gets a Makeover in Artificial Condition – Murderbot Diaries Book 2 by Martha Wells – as it heads to where it all began . . . the very minute where it ‘went rogue’ and turned the corner toward sentience.
Why had it killed the members of its former crew, so many prior missions ago?
The remains of deleted memories still haunt the delightful SecUnit (security droid) with a conscience that, once self-aware, names itself Murderbot.
As it decides to go on a quest of self-discovery, the snarky, disdainful, and witty fan of space opera television, especially its favorite Sanctuary Moon, boards a ship sans crew, but finds an unexpected surprise . . .
“Murderbot Gets a Makeover in Artificial Condition” book review has Mild SPOILERS* related to the plot at the book’s start.
For Murderbot is not the only droid to have hacked its government module, and its new pilot is not only self-aware, but has serious attitude and a lot of questions for its newfound friend.
Without ruining the story, let us just say that when ART – the pilot-program – helps Murderbot with some body customizations to better fit in as human and throw off anyone looking for a rogue SecUnit, Murderbot has not thought through the end-result: if you look more human, you need to act more human.
What a nightmare!
Martha Wells’ Murderbot Diaries is a series that any fan of science fiction, Kurt Vonnegut, good humor, well-written action, and the philosophical contemplation of what it means to be alive – as a thinking being – including realistic artificial intelligence (real AI, not that LLM knock-off garbage-slop) must devour this as soon as you are able.
The security android unit has a unique, human-looking face – when its helmet is not opaqued – and a chiding personality, which works wonderfully as a metaphor for autism spectrum disorder on many levels:
- Murderbot feels and uses empathy in its actions, despite the common misnomers of a lack of feeling for others.
- Its face appears mask-like much of the time.
- It observes many details and minute facets of the human beings around it that they themselves are often oblivious to.
- It takes pride in making decisions based on logic, especially when its companions appear to fly in the face of it.
P.S. The MURDERBOT Apple TV series adaptation is very faithful, well-written, and superbly-acted and OUT NOW!
Murderbot often makes fun of – or screams in frustration – in its dealings with or monitoring of humans, and as it continues to binge-watch serial TV whenever it can, the reader gets the sense that this is an extremely plausible and entertaining depiction of AI.
For all of the awful renditions of self-aware programs or bots in fiction – After Origin, anyone? – that are far too simplistic or one-dimensional, in Artificial Condition, Murderbot, ART, and company are here to set us at ease.
“Murderbot Gets a Makeover in Artificial Condition” Was Written By R.J. Huneke.
Apr 17, 2025 | Ai Jiang, book review, Book Reviews, Horror, Linghun, Spoiler-Free
Linghun by Ai Jiang Paints Grief and Humanity In Shadow, as an innovative and striking literary ghost story full of suspense and horror.
The following Book Review of Ai Jiang’s Linghun will be *Spoiler-free, unless noted.
What a dark, dreamy, original, and poignant novella!
Jiang’s sharp and yet melodic prose is powerful.
In the book, a family moves to a frightening town called HOME where certain places allow the dead to return to their relatives.
For Wenqi there is a black pain.
She is the sibling of a brother who has passed and whose parents are consumed with grief but also obsessed – especially for her mother – with the prospect that they can be with their son again, even though he is a ghost.
The town is built upon the dealings with the dead, and Jiang gives us the perspective of some of these not-living, not fully-deceased ghosts that are forced to remain in Home, on earth, until all ties with blood relatives are broken.
The way Wenqi’s parents forfeit not just their previous lives but their still-living daughter’s as well – giving up everything they had to spend a fortune on a small house that may allow the dead to return – is heartbreaking.
Anyone who knows the term “golden child” well will feel strong sorrow for Wenqi.
This book is a ghost story of literary fiction where the living often horrify the reader more than the dead.
The ideas, the style, the suspense of each unfolding character chapter makes Linghun wholly its own genre or type of fiction.
At times, the reader is uncertain if the perspective is that of a ghost or a living being.
And Ai Jiang’s writes a scene at an auction house, where the precious few get to bid on a chance to buy a home where the dead have returned before, and it emanates the greatness of Shirley Jackson’s short story “The Lottery.”
Linghun won the Bram Stoker Award for Long Fiction (2023), the Nebula Award for Novella (2023), and the Locus Award Nominee for Novella (2024).
Linghun by Ai Jiang is a must-read for those who love speculative fiction.
“Linghun by Ai Jiang Paints Grief and Humanity In Shadow” Was Written By R.J. Huneke.
