Dune & Frank Herbert immortalized by Centipede Press in a limited edition that creates a uniquely bold, intricate, imaginative, and sharp book, a true work of art – illustrated by Mark Molnar – befitting a masterpiece that is one of the greatest science-fiction novels of all time.
There are few works as grandiose, moving, tragic and exhilarating as Frank Herbert’s Dune.
The following book review of Dune by Frank Herbert is SPOILER-FREE* and will touch on the story and then focus on the signed-limited fine press edition published by Centipede Press in 2021-2022.
Dune can be summed up as masterful sci-fi, and every facet of the Centipede Press tome does it justice.
Dune is one of my favorite books, and so as to not give a 30-page thesis of a review on the story for the ages, I am tabling that (at least for today) in favor of focusing on what I consider the epitome of a physical book encompassing the revolutionary work of Frank Herbert.
For the uninitiated, Dune is another name for the desert planet Arrakis – which aside from tiny polar ice caps – is entirely covered in desert.
Arrakis is itself one of the most dominant characters in the book.
The extremely harsh environment makes water the most valued commodity for any living or traveling on the planet, and it molds one of the toughest peoples that live in the deep desert, the Fremen.
Arrakis is also the only place in the galaxy where spice mélange is found. This is found in sand patches and has to be mined quickly before gargantuan sand worms arrive; they dwarf even Guild spaceships and come to devour spice, or anything on the surface making unnatural noise.
The spice is a drug-like property found in many things like flavoring for cooking, or as part of recreational drug use, and it also has hallucinogenic prescient properties making it the sole way the Guild navigators can successfully fold space and time, achieving interstellar travel.
Dune and the spice are necessities to that space flight monopoly.
The characters, Paul Atriedies, and his mother the Lady Jessica, Stilgar, truly make the story what it is, as they grow amidst the innovative world building, where the setting, revenge, intricate politics, and innovative technology intermingle within the galactic regime.
But beware this work is a tragedy, similar in some ways to Homer’s Oedipus (but not the Oedipean complex), and so there are joys and pains and losses and victories, but the book is fully fleshed and nothing is one-sided, not even joy.
WARNING! I have tweaked the Goodreads summary of the book here to be near to Spoiler-Free*:
“Dune is the story of the boy Paul Atreides, heir to a noble family tasked with ruling an inhospitable world where the only thing of value is the “spice” melange, a drug capable of extending life and enhancing consciousness. Coveted across the known universe, melange is a prize worth killing for…
“When House Atreides is betrayed . . . [Paul] evolves into the mysterious man known as Muad’Dib, [but] will [he] bring to fruition humankind’s most ancient and unattainable dream? [And at what cost will the attempt bring to Paul and to all?]”
End of Spoiler Warning*
Centipede Press accomplished something truly extraordinary with their S/L of Dune: their offering is a vast work of art that truly bears the essence of the journey of Paul Atreides from Caladan to Arrakis.
And speaking of art . . .
Mark Molnar’s incredible illustrations and paintings for Dune have become definitive views of the characters and world.
The overall book design is sleek, sexy, and works to capture Mark’s art in every aspect, from the capped slipcase’s spine window onto a worm illustration to the similar circular cutout in the cover boards.
There is a stunning and vast two-sided dustjacket featuring an enormous painting of Paul Muad’Dib with spear amongst the vast stony and sandy Arrakean backdrop as a worm’s surfaced beneath the planet’s two moons that look golden on the horizon.
There is a large foldout map – from the original publication – showing the areas of the planet that are discussed in the book.
The book is printed on Mohawk Superfine paper, and there are over a dozen interior full color illustrations by Mark Molnar and the back of each one has a gritty sand-like feel to it that is a lot of fun in the hand.
But the feel of the numbered edition is like nothing I have ever experienced, as the black Nabuka Prestige cloth is a suede-like other-worldly smoothness.
There are 500 signed editions and 250 unsigned, and the latter have a fine Japanese cloth binding.
Though Frank Herbert is not with us writing in the physical realm any longer, his family and his son, Brian (who helped his father in the writing of the last couple of books in the series), approved a facsimile signature.
And what is more, the book has an introduction by Michael Swanwick and he and Brian Herbert and Mark Molnar have signed the 500 copies.
The epic tale is encapsulated in a mammoth book sized at 7¼ × 11 inches.
And the other five books in the Dune series are forthcoming with 500 signed copies and matching numbers to the owners of Dune.
If you get an opportunity to acquire a signed or unsigned C.P. edition of this great tale, do not pass it up!
Richard Chizmar’s Gwendy’s Magic Feather forwards an odyssey undertaken by Gwendy who was just twelve when she was made caretaker of a device that impacted her world and ours: it was the rewarding, dangerous and beguiling Button Box.
Gwendy’s Magic Feather is the second book in the Gwendy Series.
Gwendy’s Magic Feather surprises and chills, like a Maine snowdrift.
There is a great crime element in this book, a touch of macabre in both well-lit scenes and ones in the frozen darkness, and a lot of brooding suspense led by the intrinsic character of Gwendy.
The first book in the series is Gwendy’s Button Box, co-authored by Stephen King and Richard Chizmar, and if you have NOT read Gwendy’s Button Box, STOP HERE and go read that novella now! Not later. I do not care what format, reading is reading with it be via hologram, audiobook, or good old-fashioned paper, made from trees, that smells nice.
Here is a SPOILER WARNING** for the Preceding Book, Gwendy’s Button Box.
If you have read Gwendy’s Button Box, but it was not one of your favorite books, or it did not really move you, I highly recommend a second read if you like the character of Gwendy.
The second book in the series Gwendy’s Magic Feather brings new wonders and dangers to Gwendy, now 37, whose world is a whirlwind when the Button Box returns.
There are disturbing disappearances going on in Castle Rock, and melee in the world at large, and the character of Gwendy feels ever more intensely as she attempts to ward off the temptation of the Button Box.
The suspense simmers to a boil through her keen eyes.
Let us go back Back to Gwendy’s Button Box for a minute, as it is vital to understanding the 37-year-old Gwendy that appears in Chizmar’s novel.
Gwendy speaks with a stranger, a man with a felt hat, at age 12 who asks her to guard a precious object.
Put particular emphasis on these things: Gwendy lured beyond recall and the Button Box (and Farris, possibly) in the end caused the Jonestown massacre.
Now examine the character of a person who, despite being told her caretaking of the Button Box has rewards, is savvy enough to believe that there is a cost too and so she does not abuse the power she inherits.
Think of the temptation for a young person, who is being bullied and has high aspirations (that the 1891 Morgan silver dollars help with) to not use the compelling buttons that call to her.
She still makes mistakes and others, as well as herself, suffer for them; she is human and this realness permeates the reader.
Gwendy has such strong feelings of empathy, despite a dim world, and so she grows up and is a strong woman that can tackle anything.
All of the4se qualities help to shape the Gwendy we meet in the second book of the series.
Gwendy’s Magic Feather is a modern fairy tale fit for the Brothers Grimm updated to slice like a twentieth century switchblade!
So what does happen when an older Gwendy is returned the Button Box amidst far greater perils?
Spoiler Warning for Gwendy’s Magic Feather**
To start off the book, we meet an older Gwendy in Washington D.C.
Gwendy’s sharp intuition and skill makes her a successful writer and then, in a sudden fit of obligation to her country and her home state of Maine – and the encouragement of others begging her to run – she miraculously unseats a deplorable Congressman in her district.
Sadly more lecherous old Congressmen and a dangerously enraged President makes life as a US Representative challenging.
The world created in the Gwendy-verse feels too real at times, bringing its own amount of horror with that realness.
We can see the Washington meetings. We can smell the unknown plots lurking in some of the politicians’ shadows.
Congresswoman Gwendy Peterson is a beacon of kindness and candor in Congress where these traits light up amidst the ever-growing shadowy spaces besieging Washington.
The extraordinary journey that began as a “palaver” with a mysterious man named Richard Farris in a sharp suit and felt hat at the top of Castle Rock’s Suicide Stairs 25 years earlier has become a memory, floating but distant.
The once kind and witty Gwendy of age 12 – the first time she held the Button Box – is still a kind and witty person, because that is her charm, even as she is beset by dangers to her home town, the Capitol, the world, and her family.
And so, for the first time in 15 years, the Button Box reappears to Gwendy . . . sans Farris.
Where is he?
The vivid memories come back strongly and a thought torments Gwendy: what role has the Button Box played in the outcomes of her life, of her successes and failures? Were they just paths she carved on her own?
Much of this is a “who knows?” inner monologue that goes on throughout the book.
We feel for Gwendy as guilt clouds her mind and her strong demureness is rattled by the uncertainty of what she has done in her life – did she act because she wanted to or what things did she do that may have just as a result of holding the talisman, the Button Box.
She does not lose her sense of self, even as she doubts her past, present, and future deeds, which is admirable.
But you feel for her self-doubt that is ever-torturing until the very end of the book.
Where is the man who said she would never see the Button Box again? Where was the bearer of the blessing and/or curse? Where was Richard Farris?
All the while, Gwendy’s husband is away across the world in a dangerous city bordering on implosion; that stress looms large.
What can the Button Box do to help?
Gwendy’s mother collapses with a certain terminal diagnosis of cancer.
What can the Button Box do?
Two girls have just gone missing in Castle Rock, and Gwendy arrives on the scene.
What can the Button Box do?
The Button Box is its own character that crashes on the story and never lets up.
Gwendy’s mother was recently seen as cancer-free, and her parents brought out a long-lost treasure: Gwendy’s magic feather.
Once conned as a little girl, with all of the money she had saved for months to buy a “magic feather” from a young boy preying on tourists. The feather did not appear to have any magical properties once it was attained.
Then her mom collapses.
Dying in the hospital, Gwendy slips her mom chocolates from the Button Box.
There is a miraculous recovery the next day, but her mom also has the magic feather in her hand.
It must have been the feather her parents think.
Amidst the search in the town, Gwendy acts and thinks more like one of the sheriffs than she does a Congresswoman and she dislikes the mark of any celebrity labels.
Before the Button Box had with the pull of a lever delivered delicious chocolates that improved all of the senses and gifted, for a time some of the things the holder of the Box desired; for Gwendy, she initially wanted to lose weight and as she got older she kept the box dispatching mint condition 1891 Morgan silver dollars so she could afford to go to an Ivy League college.
But the Button Box has a price behind each gift, and the lure of the buttons grows stronger and overriding with each use.
Still, when Gwendy gets a kind of shine to her and she can read into the memories of someone she touches, the psychopath behind the missing girls is spotted, as is a crushed felt hat amidst the darkness in the Maine snow.
Castle Rock is an infamous place in Stephen King’s works, and Richard even inserts a statue where a great fire once ran rampant in the infamous town.
But this is also the Gwendy-verse, and Chizmar expands it brilliantly.
Only in the end does Richard Farris come back to claim the Button Box again.
But he does finally assure Gwendy that she is special, a caretaker, but she has also made her life’s accomplishments on her own.
The possibly evil giver of power, in Farris, seems to have a soul in there.
END of SPOILER WARNING*
If you look at this book as a casual, fun page-turner you will like it, but there is so much more to Gwendy if you try to observe her.
Gwendy is like no character I know of and her stories are a great example of contemporary speculative fiction that delves its own niche far into the realms of fiction.
There are thousands of years of stories based around good and not-so-good people being given choices with consequences and rewards that weigh on the conscience, the humanity.
But this one has a flair, a moral, and a character like no other.
Richard Chizmar brilliantly grows Gwendy’s story arc. And come the end the reader is left wanting to follow along with her as her odyssey continues.
The Cemetery Dance edition has a beautiful texture to the boards with gold foil stamping and awesome cover art by Ben Baldwin and interior art by Vincent Sammy.
The SST edition is illustrated, oversized, is signed by Richard Chizmar and all contributors, including the wraparound cover and interior artist Vincent Sammy, the author of the afterword Bev Vincent, and the Castle Rock mapmaker, artist Glenn Chadbourne; this is another stunner!
The quality of both editions, from the paper, to the boards, to the dust jackets make both of them worth having side by side.
The next book Gwendy’s Final Task, possibly the comclusion to the Gwendy Series, is co-authored by Stephen King and Richard Chizmar, and comes out on February 15th, 2022.
Bird Box by Josh Malerman shatters minds with SST brilliance, as the author’s 2014 debut novel rattles all senses with the riveting tale like no other, so too, does SST Publications craft a signed limited numbered edition that is reminiscent of the book’s world, sharp and wonderfully haunting.
Civilization falls to chaos, as those who see something, some creature, go insanely violent on themselves and/or others: welcome to Bird Box.
There are few tales so poignant that you root for the characters so strongly you feel their utter incessant terror so strongly.
The following book review of Bird Box by Josh Malerman will contain *SPOILERS up until the fine press edition of the S/L book from SST is reviewed in detail.
Is Malorie insane?
Clearly the world she resides in has gone insane.
The mother of two debates taking a dangerous winter trip on a river toward a possible sanctuary.
They will be in a rowboat for twenty miles.
The boy and the girl are four, and they will have to risk going outside and traversing the river up to a section of rapids blindfolded the entire way.
The mother’s words are rough with the two children, stern, and candid: they must not take off their ‘folds’ no matter what happens.
Outside, unknown creatures cause madness upon sight of them.
You see it and you lose it and go mortally violent; unless, of course, you are already mad yourself, and then you will welcome the embrace of the savior or cleanser or xenocidal force that has been unleashed on earth.
I had a feeling early into the novel that I had no idea what the creatures were and I might end the book without knowing what they were.
That idea is a tricky writer to reader relationship, to say the least (more on this later).
Aspects of the creatures accumulate: they could be small or enormous, they could be frequently stalking all humans, or sporadically invading city streets, row by row, they could be trying to touch, or scare blindfolded people into looking at them.
The unnerving loss of sight and the unknown haunting menace gives far more weight to the thrilling Bird Box than many of the great suspense novels out there.
The story flashes back and forth, from when Malorie first finds out she was pregnant and the subsequent unraveling of society and back to the dangerous river voyage.
As the world collapses, she escapes to a house that is a sanctuary, of sorts.
It has a well, electricity from a hydroelectric dam and a lot of stores for the half a dozen or so trying to live out the horror in a home with all the windows covered; for safety, no one sees the sky anymore.
The dynamics of the semi-democratic household full of realistic characters with great personalities and their own unnerving anxieties – that decide when or when not to take in someone like Malorie, a showing pregnant woman that will be two mouths to feed before long – are enthralling.
Malorie’s love for another grows, as the housemates struggle to adapt and get along and progress.
Can the landline, not powered by electricity but by a weak electrical signal in a phone cord, let them reach others who have survived with their sanity intact.
For a long time, I thought the birds would be the monsters in the book.
But it is the finding of a cardboard box full of birds at an abandoned home that brings a real-time alarm, a chirping warning system, for when the creatures get close that is essential to surviving.
Only Malorie and her children survive the house, and the birds, and together they march on to a place that someone on the phone says is a real sanctuary for any who can make it up the river to them.
The place is protected and full of good people.
And so Malorie waits until she deems the kids can understand enough to take the trip in the rowboat and she risks it all.
Getting to her destination by route of that damn river is so nerve shredding!
Sure, there are creatures, but there are also animals living in the wooded region that you forget about in the apocalyptic times, like wolves that attack and badly injure Malorie.
She even passes out and wakes to find her kids have learned to each row a paddle, in tandem.
Nothing was more creepy or intense than actually getting to the sanctuary and seeing through Malorie’s eyes as she risks it and takes off the fold and assesses whether or not the place is a trap or a real safe zone for her and the kids.
Your stomach will tighten and spasm with fear, as the worst seems inevitable.
But that is Malorie’s view, of fear, and not the reality, and when she realizes they are all safe it is one of the most beautiful moments in literature – I got choked up.
She had never named the boy or girl, her kids, and the entire novel they are called ‘boy’ and ‘girl’ so that Malorie upon getting them to safety names them, finally, for the girl’s mother who died in the house giving birth at the same time Malorie birthed her son, and she names him after her love that she met in the house.
And after all of the non-stop page turning full of realism, blood, tension, terror, and time that goes by in the grim world, the reader does not get to find out what the creature is.
And it works brilliantly.
*SPOILERS END here.
The SST Publications limited edition of Bird Box by Josh Malerman is marvelous and the fine press production is reviewed here.
The book is signed by the author, Malerman, and artist Ben Baldwin and has a limitation of 400 copies.
And this book is stunning to behold.
The SST Bird Box cover art and dust jacket is one of the wildest designs I have ever seen!
The child is wearing the blindfold and hearing the world shown: their trip on the river, the flying birds, the forest and the rickety speaker setup – the lone semblance of society – and of course blue tone for the cold and the water, and lots of darkness wherein the mysterious creature could be anywhere.
And that is just the dust jacket art. The design wraps around and even goes all the way to the folded in parts at the boards – it looks amazing and would make a great poster.
The six illustrations by Baldwin are remarkable and visceral, and my favorite, by far, is of the screams as the poor home owner goes mad, tied to his chair; it gives me the shivers.
SST’s Bird Box edition is a perfect emanation of Josh Malerman’s story within.
The clothbound book is sturdy and a gorgeous light blue with blue foil stamping.
This is one for the ages.
As my first voyage into SST Publications, I could not be more impressed with the UK fine press publisher.