Chuck Palahniuk: THE INVENTION OF SOUND loudly grips readers in the author’s newest thrilling and genre-defying resonation.
What a premise: A father’s decades-long search for his missing daughter. A young woman about to engineer the perfect scream.
The most dangerous secret Hollywood has ever kept.
It is difficult to describe the complex, yet beautifully scripted story of revenge or redemption, of murder or madness that ensues in the land of Hollywood’s darkest alleys and brightest-lit red carpet premieres in Chuck Palahniuk’s newest novel The Invention Of Sound.
The story is woven together out of many tangled and disjointed threads and unreliable points of view that collectively form as impactful and gutting a tale as Fight Club, Diary, or any of the great stories from Chuck Palahniuk.
This book will floor you and/or make you pass out (likely smiling).
That much is conveyed by the cover’s spattered watermelon.
Once you smash the watermelon, you cannot remake the sound of splatter, or piece back together the fragile fruit once held within.
Once the entire story of The Invention Of Sound is told you cannot unknow or forget the frightening ‘trade knowledge’ and mayhem that sounds so thunderously.
Here is the story synopsis, and the book review continues below:
Original Title: The Invention of Sound
ISBN 1538718006 (ISBN13: 9781538718001)
Hardcover, 240 pages
Published September 8th 2020 by Grand Central Publishing
Gates Foster lost his daughter, Lucy, seventeen years ago. He’s never stopped searching. Suddenly, a shocking new development provides Foster with his first major lead in over a decade, and he may finally be on the verge of discovering the awful truth.
Meanwhile, Mitzi Ives has carved out a space among the Foley artists creating the immersive sounds giving Hollywood films their authenticity. Using the same secret techniques as her father before her, she’s become an industry-leading expert in the sound of violence and horror, creating screams so bone-chilling, they may as well be real.
Soon Foster and Ives find themselves on a collision course that threatens to expose the violence hidden beneath Hollywood’s glamorous façade. A grim and disturbing reflection on the commodification of suffering and the dangerous power of art, THE INVENTION OF SOUND is Chuck Palahniuk at the peak of his literary powers—his most suspenseful, most daring, and most genre-defying work yet.
The following TFF Book review of Chuck Palahniuk’s The Invention Of Sound is Spoiler-free*****.
Few books can grab a reader like this one does, and that grip is at times painful as the pages fly.
The Invention Of Sound is utterly riveting, from start to finish.
One could easily read The Invention Of Sound in a couple of long sittings.
The suspense, perverse humor, pervasion fun for fun-sake (or was it?), and the churlish attitudes and deeds of most of the main characters – from Mitzi’s cult-like obsession to a craft she loves and hates, just as she seems to love and hate herself, to the masochistic lengths a father goes to searching for a daughter gone for nearly two decades (and you cringe just reading of his process) – make for some of the most memorable characters and scenes south of the HOLLYWOOD sign in the Hollywood Hills.
For those squeamish of violence and gore, or equally as unnerving, the life of aging actors, be warned, Mr. Palahniuk pulls no punches and crosses new bounds.
The interwoven twists and mysteries grow clearer and hazier as each additional page goes bye.
And with a wallop the ending does not disappoint as it screams oh so delightfully.
“Chuck Palahniuk: THE INVENTION OF SOUND Loudly Grips Readers” was written by was written by R.J. Huneke.
Book Review: The Institute is one of Stephen King’s best, and that is saying something among the 60+ novels and myriad works of art he has created.
Choosing a novel for the inaugural The Forgotten Fiction book review was tough.
But The Institute by Stephen King is truly a remarkable work of fiction that resonates with the Constant Reader, and I felt it was a great recent work to highlight in our review kick-off.
In The Institute, King’s story-telling is poignant, his characters – and many of them, at that – are utterly real and visceral.
PLEASE NOTE: The following book review is *SPOILER FREE* and discussion of the plot is tread upon lightly for the sake of readers that have not yet opened the book.
The Institute sheds labels and stands alone as a tightly woven work of suspenseful fiction.
Here is the story synopsis from Sai King, and the review continues below it.
Formats: Hardcover, eBook
First Edition Release Date: September, 2019
In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.”
In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.
As psychically terrifying as Firestarter, and with the spectacular kid power of It, The Institute is Stephen King’s gut-wrenchingly dramatic story of good vs. evil in a world where the good guys don’t always win.
On Sale: September 10th, 2019
Page Count: 576
The horror within The Institute certainly grips you.
But this is not strictly a book of ‘horror,’ though there are many horrific things depicted therein.
Rather the book is parts thriller and science fiction, and like many of the author’s books that have been labeled ‘horror,’ it a cross-genre work at its heart.
The story contains a number of truly wicked and unsettling depictions of humanity, including the Nazi-like experimentation on children and young adults with psychic abilities.
But there is also a remarkable resilience and a compassion of human character in the tale too.
Overcoming the odds while remaining a morally-centered young person may or may not be possible for the likes of Luke Ellis and company.
The protagonist Luke is twelve-years-old.
From his experiences as an extremely bright kid that is ever seeking mental challenges to his courageous new best friend under the dire circumstances of imprisonment, Kalisha, to the good cop driven off the job, Tim, all stand apart in myriad ways.
And then there is ten-year-old Avery Dixon who is much younger than the majority of teenagers with telekinetic and psychic powers that have unwantonly been abducted and then inducted into the place they all refer to simply as the Institute.
For a boy to go through being separated from his parents and kidnapped and then tested upon, such atrocities, such utter emotional devastation, as does Avery, it pulls at and tightens the chest with anxiety for this kid as the story unfolds.
Numerous surprises occur in the plot and they often catch the prisoners in the Institute off guard, to say the least.
You feel for the characters in the book, and you grow to utterly despise most of the ones that are working for The Institute.
Few people have ever creeped me out like Mrs. Sigsby, or her remote, soft-spoken boss.
The troop of doctors appear to be enjoying their work with human lab rats and the attendants are all very aware that they have participated in the kidnapping and torturing of children.
The labs, the Institute itself, becomes one of the most impactful characters in the work.
The book’s setting largely takes place inside a hidden laboratory facility with multiple buildings and prison-like security that is hidden in an isolated forest area in Maine.
It is a whole other level of creepy, in terms of both the psychological elements in the surroundings, from retro posters hinting at the age of the place and their consistently warped messages, and the feel of the old-time secret underground cold war lab that has survived in the 21st century.
And the methods for getting the children to comply with the Institute’s rules and orders, carrot and stick methods, would be heinous if they were done to adults. Yet they are being done to kids.
You can feel the heavy cement of the compound’s outer walls as if they were rough under your hand.
It is truly a fortress meant to prevent kids from escaping and to prevent them from being found.
Readers grow to hate the Institute, to hate that god-awful place, just as the characters do.
As Sai King says, the characters come to life and choose their path, making the story.
The Institute even has an air of Huck Finn and Tom Sawyer adventuring to it, though this is bleaker in some ways than Mark Twain’s classics.
For one thing, the protagonist Luke Ellis will almost surely experience PTSD the likes of which Tom and Huck could not have ever fathomed.
I see The Institute as a story tied to a King masterpiece, Firestarter, though there are stark differences between the two.
Firestarter has been a great influence on pop culture, and especially the Netflix show Stranger Things, and I would not be surprised if The Institute becomes another great influencer as time goes on.
The Institute is a gem of a tale!
To say Stephen King is a prolific writer, is a given, but his writing is phenomenal.
There is no one like Stephen King.
That is not to say that all of his books are favorites of mine, don’t murder me Constant Readers, but I do appreciate all of his works, his top-notch level of writing, the fully-fleshed innumerable characters he creates, and the master storytelling, even in those tales that do not resonate as strongly with me.
And many of his books are among my favorite works of literature, of all-time, and The Institute has become one of these, just as Firestarter is.
And as we head further into 2020’s Coronavirus social distancing self-quarantines with more reading time on our hands, anyone who has not given this book a read, or a re-read, may want to peruse this Spoiler-Free book review and feel inspired to read the newest (from 2019) from the author of The Stand.
At over sixty novels, The Institute proves Stephen King is still at his best.
Shop your local indie bookstore for The Institute
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“Book Review: The Institute is one of Stephen King’s best” was written by R.J. Huneke for The Forgotten Fiction.