Welcome to the TFF & RW Book Case NEWS Section

Welcome to the TFF & RW Book Case NEWS Section

Welcome to the TFF & RW Book Case NEWS Section!

As The Forgotten Fiction magazine grows, so do the reviews of books 60+ days old and small press editions. And right along with that review of the literary and bibliophile art are the increasing Rune Works Book Case projects: art to encompass and protect art.

I thought it only fair to begin a dialogue here, that will also be shared on our social media networks, and will hopefully engage you, the new fans of TFF, to express your thoughts and ideas as well.

There are a lot of books in the works to be reviewed!

There are plans in the works for many more classics, contemporary titles, and small and fine press editions to be examined on TFF in-depth.

I will list some of the likely prospects that are already on the radar below.

And as the literary arts spread, so to has the handmade wooden RW Book Cases and the plans and new projects in the fire are already growing vast for the forging.

I want to personally ask all of you who are tuning in to reach out in any way you like to express your thoughts on what is being done at TFF and what you would like to see done.

I implore you all, eager readers, to make your voices heard! It is infinitely more fun that way.

Since this is the inaugural TFF & RW Book Case NEWS post, I wanted to introduce myself very briefly.

My name is R.J. Huneke, I founded The Forgotten Fiction, and I have been a published author for decades now. My first job ass a reviewer case as a columnist for the New York tabloid Newsday where I did reviews of pop culture and of local bars; I also was a reviewer of books for The Examiner, ScfiNow, Fantasy Matters, and continue to write on and review robotics and gadgetry for Gadizmo. Most of my work has come in the form of short fiction, poetry, and non-fiction articles, though I have been a passionate novelist since I was 19 years old, and my first novel picked up by a publisher, Cyberwar, was released in 2015.

I have a bevy of contributors lining up to write reviews for TFF, and both myself and Peter Maisano will continue to regularly write as well.

Artists including Paul Michael Kane – photography (and whose 19th Edition works of art I often include in cases sent out) – and Jeff Terry – book unboxing extraordinaire – are active on TFF.

All contributors on TFF are talented and unique artists with their own channels for their works, and I encourage you to take a look at their fantastic works – you will not be disappointed.

Now to the fun stuff!

I may be all business – and grammatically anal in my reviews – but I aim to let my humor come out for a much more fun tone in my NEWS posts.

And so . . . to the BOOKS!

The joy of making this platform was that it is open to any book of fiction out 60 days or more. ANY!

The possibilities are endless.

I want the author – who typically gets little to no marketing after 60 days – to benefit, I want the reader who may have missed a classic or two to benefit, and I want the publishers to benefit, since they, too, are hurting in the US.

And to add on to that, I especially want the small press publishers to not just survive but to thrive!

You have kept and engaged so many readers over the years, and you have kept paper books relevant and special works of art for the storied art contained therein and it means the world to us readers.

So you know: first and foremost I am a reader.

I am a Constant Reader, loud and proud.

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And The Forgotten Fiction magazine will be hitting on:

  • Stardust By Neil Gaiman – Lyra’s Books Numbered Edition
  • Bram Stoker’s Dracula – Numbered Edition by Amaranthine Books
  • Later By Stephen King – Numbered Edition By Hard Case Crime
  • A Scanner Darkly By Philip K. Dick – Suntup Editions Numbered and Artist Editions
  • Fahrenheit 451 by Ray Bradbury – Suntup Editions Numbered and Artist Editions
  • More Books by Michael Crichton – requests are open, folks!
  • The End Of Eternity By Isaac Asimov (and pictures of a rare first edition)
  • The Time Machine By H.G. Wells – Suntup Edition’s Numbered
  • Killer Come Back To Me the unpublished Ray Bradbury book celebrating Bradbury’s 100th birthday by Hard Case Crime

And so many more books will be reviewed and mixed in with the above, all which will come out in no particular order.

Embrace the chaos of reading!

If that was not exciting enough for me, I love talking and writing about books, there has been a bevy of new woodworking projects I have undertaken.

Most are Rune Works Rare Book Cases, and some are offshoots.

One such offshoot is a one-time wooden and engraved sign for Stephen King’s The Stand to accompany the book case being built and many of the Eager Readers of The Forgotten Fiction will have an opportunity to get one, since it is not a case, I will make more than the 19 limited that I keep to for cases (I am thinking 100 right now).

It will be awesome! Sneak-peak coming today or tomorrow right before the new mini-series airs!

Back to the cases. I am currently working on the following:

  • The Gunslinger cases
  • The Lord Of The Rings ACE First Edition case
  • “Gunslinger” Magazine of Fantasy & Science Fiction cases
  • A I of I creation customized for an issue of Astounding Fiction from 1953
  • Startling Mystery 1967 and 1969 Case
  • The Stand case – one for UK and one for US 1st printings
  • Fight Club case
  • Revival Us First Edition for signed copies
  • End Of Watch Us First Edition for signed copies
  • If It Bleeds Us First Edition for signed copies
  • The End Of Eternity case
  • “The Four Bachman Books” cases
  • And even a non-book case for a rare Star Wars Lego piece!

As you can see things are heating up at the forge, and I thank you all for your time, your enthusiasm, your love of great works of fiction, and your pushing me to show this art to the world.

Stay tuned to the TFF & RW Book Case NEWS section here.

If you have any ideas, thoughts, or suggestions please reach out to me personally: [email protected].

 

Sincerely,

R.J. Huneke

 

P.S. There will be some giveaways and contests coming for email subscribers and RW Book Case enthusiasts, so stay tuned!

Chuck Palahniuk: THE INVENTION OF SOUND Loudly Grips Readers

Chuck Palahniuk: THE INVENTION OF SOUND Loudly Grips Readers

Chuck Palahniuk: THE INVENTION OF SOUND loudly grips readers in the author’s newest thrilling and genre-defying resonation.

What a premise: A father’s decades-long search for his missing daughter. A young woman about to engineer the perfect scream.

The most dangerous secret Hollywood has ever kept.

It is difficult to describe the complex, yet beautifully scripted story of revenge or redemption, of murder or madness that ensues in the land of Hollywood’s darkest alleys and brightest-lit red carpet premieres in Chuck Palahniuk’s newest novel The Invention Of Sound.

The story is woven together out of many tangled and disjointed threads and unreliable points of view that collectively form as impactful and gutting a tale as Fight Club, Diary, or any of the great stories from Chuck Palahniuk.

This book will floor you and/or make you pass out (likely smiling).

That much is conveyed by the cover’s spattered watermelon.

Once you smash the watermelon, you cannot remake the sound of splatter, or piece back together the fragile fruit once held within.

Once the entire story of The Invention Of Sound is told you cannot unknow or forget the frightening ‘trade knowledge’ and mayhem that sounds so thunderously.

Here is the story synopsis, and the book review continues below:


From Goodreads.com:

Original Title: The Invention of Sound

ISBN 1538718006 (ISBN13: 9781538718001)

Hardcover, 240 pages

Published September 8th 2020 by Grand Central Publishing

Gates Foster lost his daughter, Lucy, seventeen years ago. He’s never stopped searching. Suddenly, a shocking new development provides Foster with his first major lead in over a decade, and he may finally be on the verge of discovering the awful truth.

Meanwhile, Mitzi Ives has carved out a space among the Foley artists creating the immersive sounds giving Hollywood films their authenticity. Using the same secret techniques as her father before her, she’s become an industry-leading expert in the sound of violence and horror, creating screams so bone-chilling, they may as well be real.

Soon Foster and Ives find themselves on a collision course that threatens to expose the violence hidden beneath Hollywood’s glamorous façade. A grim and disturbing reflection on the commodification of suffering and the dangerous power of art, THE INVENTION OF SOUND is Chuck Palahniuk at the peak of his literary powers—his most suspenseful, most daring, and most genre-defying work yet.


The following TFF Book review of Chuck Palahniuk’s The Invention Of Sound is Spoiler-free*****.

Few books can grab a reader like this one does, and that grip is at times painful as the pages fly.

The Invention Of Sound is utterly riveting, from start to finish.

One could easily read The Invention Of Sound in a couple of long sittings.

The suspense, perverse humor, pervasion fun for fun-sake (or was it?), and the churlish attitudes and deeds of most of the main characters – from Mitzi’s cult-like obsession to a craft she loves and hates, just as she seems to love and hate herself, to the masochistic lengths a father goes to searching for a daughter gone for nearly two decades (and you cringe just reading of his process) – make for some of the most memorable characters and scenes south of the HOLLYWOOD sign in the Hollywood Hills.

For those squeamish of violence and gore, or equally as unnerving, the life of aging actors, be warned, Mr. Palahniuk pulls no punches and crosses new bounds.

The interwoven twists and mysteries grow clearer and hazier as each additional page goes bye.

And with a wallop the ending does not disappoint as it screams oh so delightfully.

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The Forgotten Fiction Grade: YEA (read it!)


Want To Buy The Book from a local bookseller? Click Away!

“Chuck Palahniuk: THE INVENTION OF SOUND Loudly Grips Readers” was written by was written by R.J. Huneke.

Ania Ahlborn’s Brother Astounds In Limited Suntup Editions

Ania Ahlborn’s Brother Astounds In Limited Suntup Editions

Ania Ahlborn’s Brother astounds in limited Suntup Editions, and both the visceral, chilling work of horror and the incredible physical manifestation of the book from Suntup are reviewed here.

A short summation of the book review of Brother is that it is a brilliant novel and work of art.

And Suntup Editions crafted it into palpable art for book lovers to grasp in-hand.

Few tales really grab you, wringing your stomach repeatedly, like Brother does.

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Here is the story synopsis as seen on Suntup Editions’ website, Suntup.press, and the review continues below:


Synopsis:

Brother is the terrifying tale of a family’s disturbing traditions, and of one brother’s determination to break free from all he has ever known. In a crooked farmhouse off the beaten path and miles away from civilization live the Morrows. A band of eccentric recluses, the family keeps to themselves so as not to be questioned by local police when girls go missing from the side of the highway. But nineteen-year-old Michael Morrow is different. He derives no pleasure in the screams that echo through the trees.

Michael pines for a life of normalcy and to see a world beyond that of West Virginia. In the nearby town of Dahlia, Michael meets Alice, a pretty girl working at a record shop. He is immediately smitten, but his family is all too eager to remind him of the monster he is.

Hailed by critics as “impossible to put down,” Ahlborn delivers all the guilt, guts, and gore of family drama as Michael fights to attain the life he longs for. [credit: Suntup.press]


Both the story itself and the hardcover books are inspired.

From the opening screams, and the lack of surprise at those screams, Brother has you.

Ania Ahlborn’s Brother transcends all kinds of fiction genre labels, as horror, suspense, psychological thriller, and gore converge, and that is part of what makes this work so damn good.

Ahlborn seizes on the psyche of nineteen-year-old protagonist, Michael Morrow, to tell her bone-chilling tale, and he is utterly compelling.

Michael is a walking dichotomy: he is both full of dread and hope, seemingly gold of heart and yet a part of humanity at its most hideous; his brother Reb takes jabs at Michael being slow in the uptake throughout the book and yet Michael shows signs of swift insightfulness; he is a romantic at heart and extremely naïve, despite seeing atrocities the likes of which few can imagine in their nightmares and the self-hatred he has for being a part of them.

The setting is the 1980’s in the rural wooded country of West Virginia, and the fervent characters that live there are primarily seen from the point of view of Michael Morrow.

And seeing through that lens makes for an endlessly intriguing, albeit disturbing, voyage.

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Limited edition photography by Paul Michael Kane.

*SPOILER WARNING*

You only have to start the book to find yourself jumping at the sound of Mama’s voice.

Michael is woken to the sounds of a young woman in distress, but what is immediately striking is that it is the sound that it is alarming to him.

He abhors the sound, but he is also so familiar with it that he is numb to the frantic plea.

The gravity of the future murder is there, and he is upset but oddly removed from her, even as he feels for the young woman’s plight.

Michael more bemoans the fact that he needs to be ready to rise from his bed in the middle of the night and do Mama Morrow’s bidding.

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Limited edition photography by Paul Michael Kane.

When the young woman gets loose and flees through the trees, trying desperately to escape, you cannot help to get out of breath yourself as the vivid view from under the trees and the inner monologue of Michael draw you in.

He is the fastest runner among the Morrows, and so he must do as his adopted family commands: catch the girl so Mama can have her way with the young woman before she is literally butchered so the Morrows can make steaks and other things from her.

Michael does not want to be a part of it.

But he is so frightened of what Mama will do if he does not comply, he cannot see that he has any option but to obey.

He cleans up afterward and slices up and stores the cuts of meat.

It is as it has always been at his adopted family’s farmhouse.

The Morrows saved him from an abandoned home, and he was put into the keeping of his older brother who likes to be called Rebel, or Reb.

Reb has bullied Michael for so long, incessantly, that the reader jumps whenever Reb looks Michael’s way or says anything.

The brother terrifies him to the point of paranoia that is justified and the verbal abuse is truly just the smallest glimpse into the wickedness that the eldest son of the longtime cannibalistic family, the Morrows, brings to the story.

As Michael’s brother mixes truths and lies and starts to take his little brother to meet girls – not to scout for more victims, but to get them both dates – the horror of a twisting narrative full of insanely painful and blood-spattered experiences warps the psychological reality of a young man yearning for normalcy.

One microcosm of beauty from this story comes as a girl that Michael likes lends him a record of The Cure from the store she works at, and when he listens to it his entire soul erupts in happiness and his mind opens as it has never done before.

And then things go horribly, horribly wrong as his sister begins to dance and loses control.

*SPOILERS END HERE*

The grit in the writing is so real your hands feel scraped as you put the book down.

To take such a narrative to ever-increasing emotional highs and lows over the course of a detailed terrain, a world built to entrap the reader in its dangerous twists, is sensational.

This book is not for those who are squeamish at the sight of blood, and be warned you may find yourself choked up, nauseous, cheering, and crying all within a short span while reading.

For fiction fans, and in particular horror fans, you may have a new favorite book and author on your hands.

Brother feels as though it really happened, and that scares the hell out of me.

There is no escape from one’s brother . . . Or is there? But the cost . . .

Suntup Editions Numbered State Of Brother Is One Of The Closest Examples Of A Physical Book Possessed By A Story

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While I am sure the Suntup Editions lettered edition of Brother by Ania Ahlborn is also a fantastic work of art that emanates the dark tale, this review now shifts its focus to the fine press signed and numbered state.

What Paul Suntup has conjured for Brother is nothing short of remarkable.

The cover is like a fine cigar wrapper, smooth and yet full of a crinkly texture and its colors of brown and black produce a one of a kind effect for each book.

I have never held anything like this book in my hand!

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Limited edition photography by Paul Michael Kane.

The cover boards were constructed by Andrea Peterson, and each is formed via a custom handmade Walnut rag cotton paper has been coated with black walnut dye from the trees of the print artist’s own homestead.

Some softening and shellac seal the walnut and then standing bright amongst the deep tones are the title and author’s name in two hits of foil stamping.

I treasure this book.

The slipcase is heavy, hard, like acacia hardwood, and not only protects but beautifully represents the toughness from the work it encompasses.

Moving to within the pages, the endsheets are Hahnemühle Bugra and have a great feel to the palm and the paper is off-white and also excellent in the hand.

On top of the finest book design a fine press can deliver – from the chapter headings to the font and all of it – Brother features six full-color illustrations by World Fantasy Award winner Samuel Araya.

And these images conjure up a surrealistic quality that is unique and combines the weird beauty with the horrific intensity of Brother.

I cannot understate two things here:

The cover alone seems to project the novel within and is a special rare book collectors will pine over.

Two: because Suntup Editions decided to give a great book that had only previously been available in paperback a hardback en masse there were 500 copies made and signed of the numbered state of Brother and amazingly enough, because most of Suntup’s numbered books are limited to 250 or less, there are a few copies still available for sale here: https://suntup.press/brother.

Since nearly all of Suntup’s books have sold out, and most do at the hour of pre-sale (the last in less than three minutes), this fantastic edition of Brother is an anomaly ripe for the taking.

The Forgotten Fiction Grade: YEA (read BROTHER! And if you can read the Suntup Editions numbered state)

Here is an unboxing video done by our local professional unboxer Jeff Terry if you want to get a feel for what it is like to open up A Suntup Editions box and behold Brother in HD video:


ABOUT THE AUTHOR

Born in Ciechanow Poland, Ania Ahlborn has always been drawn to the darker, mysterious, and morbid side of life. Her earliest childhood memory is of crawling through a hole in the chain link fence that separated her family home from a large wooded cemetery, where she’d spend hours among the headstones, breaking up bouquets of silk flowers so everyone had their equal share.

Ania’s first novel, Seed, was self-published. It clawed its way up the Amazon charts to the number one horror spot, earning her a multi-book deal and a key to the kingdom of the macabre. Eight years later, she has published ten titles. Her work has been lauded by the likes of Publishers Weekly, New York Daily News, and The New York Times. [credit: Suntup.press]

www.aniaahlborn.com


Illustration © 2019 by Samuel Araya. Brother Limited Editions © 2019 by Suntup Editions*. Brother © 2015 by Ania Ahlborn. Limited edition photography by Paul Michael Kane as credited in captions; the unboxing video is by Jeff Terry; the remaining photography is by R.J. Huneke. Read more about The Contributors to the review article here. *[BROTHER Suntup Editions First Edition Release Date: January 2020; the novel Brother was originally published in paperback in 2015.]


P.S. If You Want To Know A Little More About How The Forgotten Fiction Is Different & Our Mission . . .

We are really trying to achieve two main goals here:

  1. To bolster every author who puts out a work of fiction long after the initial buzz that accompanied its release. This is something that is usually left to an expensive public relations manager or company and even with all of their powers of marketing / PR are limited in where they can place the book months after its launch. This includes limited edition and small press publications, like Suntup Editions, that are also reviewed for their physical beauty, as well as the work’s literary art and often illustrations, so long as the initial work has been out 60 days.
  2. We love books of fiction! And as readers we have too little time to read ALL of the books that fall onto our tentative To-Read List. The Forgotten Fiction hopes that with our Yea or Nay stamp, we can definitively give our unbiased opinion to you as a recommendation that may or may not move a book from the stack to your Must-Read List.

To Read More Details On Our Process Go To The About Page Here.

“Ania Ahlborn’s Brother Astounds In Limited Suntup Editions” was written by R.J. Huneke for The Forgotten Fiction.

 

Book Review: The Institute Is One Of Stephen King’s Best

Book Review: The Institute Is One Of Stephen King’s Best

Book Review: The Institute is one of Stephen King’s best, and that is saying something among the 60+ novels and myriad works of art he has created.

Choosing a novel for the inaugural The Forgotten Fiction book review was tough.

But The Institute by Stephen King is truly a remarkable work of fiction that resonates with the Constant Reader, and I felt it was a great recent work to highlight in our review kick-off.

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In The Institute, King’s story-telling is poignant, his characters – and many of them, at that – are utterly real and visceral.

PLEASE NOTE: The following book review is *SPOILER FREE* and discussion of the plot is tread upon lightly for the sake of readers that have not yet opened the book.

The Institute sheds labels and stands alone as a tightly woven work of suspenseful fiction.

Here is the story synopsis from Sai King, and the review continues below it.


From StephenKing.com:

The Institute

Formats: Hardcover, eBook

First Edition Release Date: September, 2019

Synopsis:

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.”

In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.

As psychically terrifying as Firestarter, and with the spectacular kid power of It, The Institute is Stephen King’s gut-wrenchingly dramatic story of good vs. evil in a world where the good guys don’t always win.

Notes:

On Sale: September 10th, 2019

Page Count: 576


The horror within The Institute certainly grips you.

But this is not strictly a book of ‘horror,’ though there are many horrific things depicted therein.

Rather the book is parts thriller and science fiction, and like many of the author’s books that have been labeled ‘horror,’ it a cross-genre work at its heart.

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The story contains a number of truly wicked and unsettling depictions of humanity, including the Nazi-like experimentation on children and young adults with psychic abilities.

But there is also a remarkable resilience and a compassion of human character in the tale too.

Overcoming the odds while remaining a morally-centered young person may or may not be possible for the likes of Luke Ellis and company.

The protagonist Luke is twelve-years-old.

From his experiences as an extremely bright kid that is ever seeking mental challenges to his courageous new best friend under the dire circumstances of imprisonment, Kalisha, to the good cop driven off the job, Tim, all stand apart in myriad ways.

And then there is ten-year-old Avery Dixon who is much younger than the majority of teenagers with telekinetic and psychic powers that have unwantonly been abducted and then inducted into the place they all refer to simply as the Institute.

For a boy to go through being separated from his parents and kidnapped and then tested upon, such atrocities, such utter emotional devastation, as does Avery, it pulls at and tightens the chest with anxiety for this kid as the story unfolds.

Numerous surprises occur in the plot and they often catch the prisoners in the Institute off guard, to say the least.

You feel for the characters in the book, and you grow to utterly despise most of the ones that are working for The Institute.

Few people have ever creeped me out like Mrs. Sigsby, or her remote, soft-spoken boss.

The troop of doctors appear to be enjoying their work with human lab rats and the attendants are all very aware that they have participated in the kidnapping and torturing of children.

The labs, the Institute itself, becomes one of the most impactful characters in the work.

The book’s setting largely takes place inside a hidden laboratory facility with multiple buildings and prison-like security that is hidden in an isolated forest area in Maine.

It is a whole other level of creepy, in terms of both the psychological elements in the surroundings, from retro posters hinting at the age of the place and their consistently warped messages, and the feel of the old-time secret underground cold war lab that has survived in the 21st century.

And the methods for getting the children to comply with the Institute’s rules and orders, carrot and stick methods, would be heinous if they were done to adults. Yet they are being done to kids.

You can feel the heavy cement of the compound’s outer walls as if they were rough under your hand.

It is truly a fortress meant to prevent kids from escaping and to prevent them from being found.

Readers grow to hate the Institute, to hate that god-awful place, just as the characters do.

As Sai King says, the characters come to life and choose their path, making the story.

The Institute even has an air of Huck Finn and Tom Sawyer adventuring to it, though this is bleaker in some ways than Mark Twain’s classics.

For one thing, the protagonist Luke Ellis will almost surely experience PTSD the likes of which Tom and Huck could not have ever fathomed.

I see The Institute as a story tied to a King masterpiece, Firestarter, though there are stark differences between the two.

Firestarter has been a great influence on pop culture, and especially the Netflix show Stranger Things, and I would not be surprised if The Institute becomes another great influencer as time goes on.

The Institute is a gem of a tale!

To say Stephen King is a prolific writer, is a given, but his writing is phenomenal.

There is no one like Stephen King.

That is not to say that all of his books are favorites of mine, don’t murder me Constant Readers, but I do appreciate all of his works, his top-notch level of writing, the fully-fleshed innumerable characters he creates, and the master storytelling, even in those tales that do not resonate as strongly with me.

And many of his books are among my favorite works of literature, of all-time, and The Institute has become one of these, just as Firestarter is.

And as we head further into 2020’s Coronavirus social distancing self-quarantines with more reading time on our hands, anyone who has not given this book a read, or a re-read, may want to peruse this Spoiler-Free book review and feel inspired to read the newest (from 2019) from the author of The Stand.

At over sixty novels, The Institute proves Stephen King is still at his best.

The Forgotten Fiction Grade: YEA (read it!)

Support Independent Bookstores - Visit IndieBound.org

Shop your local indie bookstore for The Institute 

P.S. If You Want To Know A Little More About How The Forgotten Fiction Is Different & Our Mission . . .

We are really trying to achieve two main goals here:

  1. To bolster every author who puts out a work of fiction long after the initial buzz that accompanied its release. This is something that is usually left to an expensive public relations manager or company and even with all of their powers of marketing / PR are limited in where they can place the book months after its launch. This includes limited edition and small press publications, like Suntup Editions, that are also reviewed for their physical beauty, as well as the work’s literary art and often illustrations, so long as the initial work has been out 60 days.
  2. We love books of fiction! And as readers we have too little time to read ALL of the books that fall onto our tentative To-Read List. The Forgotten Fiction hopes that with our Yea or Nay stamp, we can definitively give our unbiased opinion to you as a recommendation that may or may not move a book from the stack to your Must-Read List.

To Read More Details On Our Process Go To The About Page Here.

 

“Book Review: The Institute is one of Stephen King’s best” was written by R.J. Huneke for The Forgotten Fiction.