Replay By Ken Grimwood: Suntup Editions Replay Suntup Replay

Replay By Ken Grimwood: Suntup Editions Replay Suntup Replay

Replay By Ken Grimwood: Suntup Editions Replay Suntup Replay, and as this time travel tale goes on, the suspenseful, metaphysical, time-mind warp grips the reader’s heart tighter and tighter.

This is a Spoiler-Free** Preview Review of the upcoming Suntup Editions for Ken Grimwood’s award-winning novel Replay.

Conjuring all of the mystery of time travel, the philosophy behind its implications and the personal touch of experiencing love throughout the flux is why Isaac Asimov’s The End of Eternity is my favorite book by Asimov, and Grimwood’s Replay has all of these elements and a magic about it, while being an incredibly fresh and vibrant and innovative tale all of its own.

I know of no book like Replay.

The only hint as to the last book release from Suntup Editions was the publisher, Paul Suntup himself, who said this was one of his favorite books.

Despite having the utmost faith in his judgement as an extremely well-read human, a poet, and a brilliant crafter of fine press books, I was taken aback when I saw Replay announced; I had not heard of it.

I will admit to being flummoxed – as a science fiction writer and fanatic, how did I miss this – and I doubted whether or not I should invest in one of the upcoming editions from Suntup, despite their out-of-this-world design and attention to detail.

I was wrong to doubt. I was so wrong.

I read the book in a few days; I could not put it down.

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I think the only reason more folks have not heard of Ken Grimwood is that the author tragically died of a heart attack young, not unlike Replay’s protagonist Jeff Winston who dies abruptly at age 43 – at the same day and time – and awakes with all memories of his past life, but back where he was at the age of 18 in the early 1960’s.

What would you do if you could go back with knowledge of 20+ years and experience in a young person’s body?

What are the potential consequences of the replays that happen over and over each time Jeff reaches that fatal day at age 43, no matter where he is?

This novel pulls and yanks at your heartstrings, again and again.

There is debauchery, tragedy, loss, love, and so much more.

The ending got me choked up, as 1984 and only a handful of other books have ever done.

And Suntup Editions has done the most amazing job of bringing every facet of this complex story to light in each of their four different stand-alone limited editions.

Replay, Ken Grimwood, suntup editions, Alessandro Sicioldr Bianchi, time travel, asimov

I will review the numbered edition in detail when it arrives, but for now feast your eyes on each of the incredible works of art that are pushing the boundaries of intrinsic story-encompassing publishing with the art and design.

These editions all floor me, and the artist edition is still available to purchase, as well, signed by surrealist painter Alessandro Sicioldr Bianchi.

The art is, well there are no words; take a look at each edition:

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The Artist edition is limited to 1000 copies with a dust jacket illustrated by Alessandro Sicioldr Bianchi. It is a full cloth, smyth sewn binding with two-hits foil stamping. It is the only edition of the three with the dust jacket, and is signed by the artist. The edition is printed offset and is housed in an embossed paper covered slipcase with an acrylic coating. [https://suntup.press/replay]


Replay, Ken Grimwood, suntup editions, Alessandro Sicioldr Bianchi, time travel, asimov

The Numbered edition of 350 copies is a handbound quarter leather binding with printed Hahnemühle Bugra boards and leather capped fore edges. The edition is enclosed in a quarter leather chemise and a Japanese cloth slipcase. The cover features a letterpress printed label and endsheets are Hahnemühle Bugra. The edition is printed offset on Mohawk Via and is signed by Alessandro Sicioldr Bianchi and Tim Powers. [https://suntup.press/replay]


Replay, Ken Grimwood, suntup editions, Alessandro Sicioldr Bianchi, time travel, asimov

The Lettered edition is limited to 26 copies and is a Dorfner style binding after master German bookbinder Otto Dorfner, who developed this structure in the early 20th century. The binding is sewn on supports with goat leather strips laminated to silk, with the boards attached to the textblock by the sewing supports. The boards are covered in full goatskin with goatskin onlays and blind tooling on the spine, and the flyleaves are covered with a suede material on one side. The edition is sewn and bound entirely by hand by master bookbinder Jacek Tylkowski in Poland.

The clamshell enclosure is full European cloth with a blind debossed cover. The edition is printed offset on Mohawk Via and is signed by Alessandro Sicioldr Bianchi and Tim Powers. [https://suntup.press/replay]


Replay, Ken Grimwood, suntup editions, Alessandro Sicioldr Bianchi, time travel, asimov

The Roman Numeral edition is limited to 10 copies and is bound in full leather. The leather features an original design using hand dying techniques and photographs of live models, which are transfered to the surface. The block is sewn onto stubs for a perfect opening. The boards are laced on, for the greatest durability. Doublures and headbands are in leather. The edition is sewn and bound entirely by hand by master bookbinder, Zigor Anguiano Calzada in Spain.

The clamshell enclosure is full leather with a rounded spine and suede inner linings with Japanese cloth. The edition is printed offset on Mohawk Superfine and is signed by Alessandro Sicioldr Bianchi and Tim Powers. [https://suntup.press/replay]

 


The Forgotten Fiction Grade: YEA (read it!)


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“Replay By Ken Grimwood: Suntup Editions Replay Suntup Replay” was written by R.J. Huneke. Illustrations © by Alessandro Sicioldr Bianchi; Photography by Yegor Malinovskii.

 

 

I, ROBOT By Isaac Asimov: Book Review Of Science Fiction Classic

I, ROBOT By Isaac Asimov: Book Review Of Science Fiction Classic

I, ROBOT by Isaac Asimov: book review of science fiction classic highlights the prose, storytelling, and stark differences in views regarding this premiere work about robots and AI, aka artificial intelligence.

In Asimov’s I, Robot, Dr. Susan Calvin (robo-pyschologist for U.S. Robots and Mechanical Men Inc.) describes the development of robots, through nine short stories, to a reporter in the 21st century.

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The Following book review of I, Robot by Isaac Asimov is a Spoiler-ful WARNING Level YELLOW: it contains mild spoilers for the novel, but not detailed plot.

When read from beginning to end I, Robot can be seen as an evolution of Asimov’s Robots. Each story shares an interaction between humans and robots and often hints upon the unease of a growing artificial intelligence.

Here is the story synopsis, and the review continues below it.


From penguinrandomhouse.com:

Paperback
Released April 29, 2008 | ISBN 9780553382563

Each story in the book shares an interaction between humans and robots and often hints upon the unease of a growing artificial intelligence.

Asimov’s future (actually our past as his first short story is set in 2015) includes mining stations on asteroids and Mercury, spaceships with hyperdrive, and super computers along with robots taking over simple jobs like farming, while also running for office and even secretly running the world.

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Although nine stories follow Asimov Three Laws of Robotics, many stories describe robots having difficulty with these laws (either by manufacturing defect or meta-cognitive awareness) leading to their eventual interpretation of them – even a so called religion. His infamous laws governing robotic behavior have changed our perception of robots forever.

The three laws of Robotics:
1) A robot may not injure a human being or, through inaction, allow a human being to come to harm.
2) A robot must obey orders given to it by human beings except where such orders would conflict with the First Law.
3) A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.

Despite the name Hollywood gave the film, I, Robot, starring Will Smith, the book is far from the film in terms of actual story elements, though the film is fun and captures some of the spirit, as well as a couple specific uses of the book.

Spoiler Alert: If you were a fan of the 2004 science fiction action film I, Robot directed by Alex Proyas do not expect many similarities with Isaac Asimov’s 1940-1950 short story collection of the same name. The 2004 film is much more closely based on Jeff Vintar’s original screenplay Hardwired. That film adopts Asimov’s creation of “the three laws of robotics,” shares two similar characters, and borrows one scene from his works.

Overall I, Robot is a thought provoking read, blended well with science-fact and science fiction.

If you have not read the novel, expect a vastly different story than the film with the exception of the chapter titled “Little Lost Rabbit.”

The Forgotten Fiction Grade: YEA (read it!)


About The Author From Goodreads.com:

Isaac Asimov was a Russian-born, American author, a professor of biochemistry, and a highly successful writer, best known for his works of science fiction and for his popular science books.

Professor Asimov is generally considered one of the most prolific writers of all time, having written or edited more than 500 books and an estimated 90,000 letters and postcards. He has works published in nine of the ten major categories of the Dewey Decimal System (lacking only an entry in the 100s category of Philosophy).

Asimov is widely considered a master of the science-fiction genre and, along with Robert A. Heinlein and Arthur C. Clarke, was considered one of the “Big Three” science-fiction writers during his lifetime.

[https://www.goodreads.com/author/show/16667.Isaac_Asimov]


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“I, ROBOT By Isaac Asimov: Book Review Of Science Fiction Classic” was written by Peter Maisano.