Dark Matter by Blake Crouch forges great sci-fi, as a 21st century high point of transformative art continues the tradition of science miracles having a very good and very bad fallout.
Dark Matter provides a visceral thrill ride empowered by science the way Michael Crichton’s work has for decades.
I do not throw around the name of Crichton often, because no one is quite like the late author, the scientist-teacher-turned novelist.
But Crouch in his own brilliant way reminds me of him.
The Following Book Review of Dark Matter by Blake Crouch is Spoiler-Free.
“Are you happy with your life?”
Those are the last words Jason hears before the masked abductor knocks him unconscious, and he wakes in another world, another reality, exactly like his own except for where he made a fundamentally different life choice that drastically altered his life and those of his loved ones.
Would the science he had given up come to change the course of time?
These are not spoilers.
This is just how you get thrown into a story that is every bit as much an intimate lovers’ voyage, as it is a spine-rattling suspense thriller.
Genres are, like rules, made to be smashed, chopped up and baked into a wholesome and delicious culinary innovation.
And so too does the vision of Crouch cook up the best parts of sci-fi, thriller, fantasy, a sprinkling of horror, and a love story into a unique and infamous warning of what tampering with alternate timelines might be like for those equipped with dark matter in the near (or far) future.
I love this book.
It evokes many of the best traits from what I consider to be the pinnacle of time travel fiction, Isaac Asimov’s The End of Eternity.
Most if not all of the time travel medium, in films, video games, comic books, and novels lift ideas and tropes from Asimov, but Dark Matter takes it all a lot further and also gets very specific with the fringe science theories and experiments with time and matter.
At the heart is a man who loves his wife, Daniela, has his reality and their life together taken from him, and must work with a future science he never invented to try and right the wrongs.
“Last night, I set out to answer a simple question: Where is Daniela . . . This is not my world. Even as those five words cross my mind, I’m not exactly certain what they mean, or how to begin to consider their full weight.” [DARK MATTER, pg. 118, B. Crouch]
Dark Matter continues to blow my mind after each read.
To give this extraordinary book the treatment it deserves, Suntup Editions strove to encompass this classic with a gorgeous signed-numbered limited edition.
The spine is goatskin and feels so soft and smooth.
And since the story deals with alternate realities, what better way to show that than to have three different bradel-bound numbered versions, purple, green, and blue, and then randomly send them to the 350 owners upon release.
They are all great to hold, with a brilliant sheen to the thick cloth covers and the minimalism evokes less is more.
I wanted and was thrilled to get the purple cover.
Unique to the edition is an introduction by another favorite author and one of the most innovative voices of 21st century sci-fi Andy Weir, and he, crouch, and artist Clarcq each signed the book.
All of these Suntup editions are so well made and fit Dark Matter’s story so well!
Suntup made a limited artist edition and a lettered edition as well, and the art that Hilary Clarcq brought makes this tale come alive in an exciting way.
Final Quarter Announcement Schedule For The Forgotten Fiction: here it is folks, news, news, and all the fun coming to TFF to close out the year with a BANG!
For those of you wondering, there are many new writers coming on for guest posts, including authors like Tom Deady, and more book reviews are coming.
Everything got hung up again in the last two months with not one, but two Covid scares for my toddler.
She did not get it, but it wreaked havoc for quite a while and her daycare was shut down for two weeks, twice, and we were quarantined, limiting my own working hours to her sleeping hours, and that affected both the volume of reviews and the output of the Rune Works Wood Shop.
All of that has now passed: a bevy of projects are being polished up and packed and mailed!
I am so happy to be working a lot again, though I did enjoy having a lot more time with my daughter – the kid is amazing.
Housekeeping out of the way, prepare yourselves for many new incredible books that will be in Preview Reviews, like Boys In The Valley by Philip Fracassi – this is Earthling Publications Halloween Book Of The Year – and Josh Malerman’s Ghoul N’ the Cape, and then so many contemporary and classic book reviews too.
Gwendy’s Button Box S/L will likely by my first SST Publications review, though Bird Box may leapfrog it.
My many editions of Fahrenheit 451 by Ray Bradbury, from a signed first edition to Suntup’s marvelous numbered edition will be reviewed along with the story, my second favorite of all time.
Asimov will get his own page for The End Of Eternity, the S/L from of Robots of Dawn from Phantasia Press, and of course, Foundation and more robot tales.
Philip K. Dick will also be here with a page constantly adding reviews starting with the new Centipede Press boxed set and a gorgeous limited of The Cosmic Puppets, as well as many, many more novels from all eras.
Five Decembers by James Kestrel from Hard Case Crime is going to be grand, as well as more Crichton, some Lawrence Block, and Bullet Train by Kotaro Isaka, and of course Cline’s Ready Player One and Ready Player Two (I have a surprise to show you for these)!
There are so many more in the works, as well, and to get a feel for what you the Eager Readers want, I am devising a poll to be sent out to all on our email list.
The TFF-inspired fiction-based Rune Works Wood Shop is revealing some new products that clients have ordered.
There are new crazy designs for book traycases, coffee table display cases for LEGO builds, custom limited edition bookends and even Dungeons & Dragons and Warhammer 40K Partitions and Player Dungeons Boxes, complete with a Dice Vault and Storage Tray and a compartment for a pencil, pad or tablet.
So many great things are coming!
TFF will be showing off its first comic book cases at the Rune Works booth at New York Comic Con in October too!
More news on that and the END OF THE YEAR CRAZY giveaway contest is going to be leaked soon . . . stay tuned!
Final Quarter Announcement Schedule:
Tuesday Sept. 28 the next contest and prizes are announced
Tuesday Oct. 5 @ 1pm EST is the LIVESTREAM event and giveaway!
Wednesday Oct. 27 the next contest and prizes are announced
Tuesday Nov. 9 @ 1pm EST is the LIVESTREAM event and giveaway!
Friday Dec. 10 the next contest and prizes are announced
Tuesday Dec. 21 @ 1pm EST is the LIVESTREAM event and giveaway!
CRAZY End of year LIVEstream will be on Dec 21, 2021! There will be books for international fans, there will be at least one custom Rune Works book case being given away and a TON of other surprises! Stay tuned for more info on this!
The Exorcist By Blatty S/L by Suntup, Lonely Road & Gauntlet fine presses provides one of the world’s most terrifying and thrilling novels an exceptional book reading experience.
The Exorcist By William Peter Blatty is an all-time great work of fiction.
This cannot be understated; the writing, the tale, the characters are all remarkable.
The film adaptation that Blatty was a part of will forever be a classic, as well, but the novel adds so much more to the brilliant characters, the shocking story, and the uniquely personal detective work.
The following book review of The Exorcist: The Fortieth Anniversary Edition will have mild Spoilers** that will end with the story review and the start of a fine press book review of each of the Holy Trinity: The Exorcist signed and limited editions by Gauntlet Press, Lonely Road Books, and released this year, in celebration of the 50th anniversary of this iconic masterpiece of horror and paranormal suspense, Suntup Editions.
I have a favorite! But now back to the The Exorcist: The Fortieth Anniversary Edition book review!
For those who have read The Exorcist, but not the revised edition, I highly encourage you to take up the endeavor.
On September 27, 2011, The Exorcist was re-released as a 40th Anniversary Edition in hardcover, paperback and audiobook featuring new and revised material. Of this edition, Blatty wrote:
“This will have a touch of new material in it as part of an all-around polish of the dialogue and prose. First time around I never had the time (meaning the funds) to do a second draft, and this, finally, is it. With forty years to think about it, a few little changes were inevitable — plus one new character in a totally new, very spooky scene. This is the version I would like to be remembered for.” [Suntup.press]
From the eerie and ominous opening of the book, we touch on foreshadowing and evil and duty for Father Lankester Merrin, as he meets with a dear friend.
An ancient Assyrian idol of the demon Pazuzu has been found at Merrin’s archaeological dig in northern Iraq.
And this creepy and poignant chapter, the sweat that runs from the elderly Jesuit priest in the full light of the sun spilling over the desert, bespeaks an impending battle, and what may be strife in the spiritual battleground and the physical one.
He must leave his dear friend and go back to the US. Some goodbyes are heartbreaking.
Blatty leaves Merrin behind for much of the book and focuses on a little girl named Regan in Washington D.C.
She is possessed; there is no spoiler there, folks.
Blatty was originally inspired by the story of the demonic possession of a child in the 1940s.
Regan, the eleven-year-old daughter of Chris, a movie actress residing in Washington, D.C. for a film, lives in a creepy old house overlooking a terribly long and narrow stairway outside.
The murder of Chris’ producer, who is found at the bottom of the stairs with his head turned all the way around – quite unnaturally – begins an investigation into the family in the house.
Welcome one of the most fun detectives in fiction: Lt. William Kinderman!
He is an older man, who is jovial, polite, and so very sly and intuitive with regards to human behavior and reactions.
Because the film producer was murdered after he was in Chris’ home, Kinderman has no choice but to thoroughly investigate every occupant of the house, as well as the visiting Jesuit priest Father Damien Karras, who he befriends in part for company and in part to get information out of him.
This is a thrilling, and at times humorous, cat and mouse game, as the two speak and meet again and again.
Meanwhile, Chris, an atheist, is upset as her daughter quickly dissolves before her into what she thinks is multiple personality disorder.
Regan speaks in other languages, lashes out at her doctors, is shriveling away physically, and even makes her entire bed tremble, as if there was an earthquake.
Aside from locking up Regan in an institution, which Chris will not do, one of the psychiatrists suggests that Regan may think she is possessed and so an exorcist may provide a psychosomatic cure.
Father Carris tries desperately to build a case to the Church for exorcism, but Regan’s time is running out.
**Spoilers END here
The Exorcist: The Fortieth Anniversary Edition by William Peter Blatty is truly something special – there is no work of fiction like this.
The research involved in writing this book was extensive, the writing could not be better, and the eerie world is so real, it scares the hell out of me to this day.
And that is my guess as to why the 71-week bestseller is considered one of the most controversial books of all time.
To pay homage to this classic work of literature, I will review the three small press publishers that crafted S/L editions containing Blatty’s preferred fortieth anniversary text, and I will review in the order they were published before I compare the three, Gauntlet, Lonely Road, and Suntup, limited editions.
The Exorcist by Blatty gets the grand fine press treatment it deserves
First released was the interesting Gauntlet Press edition that has a signature sheet for the 25th Anniversary and a publication page for the text version, the 40th Anniversary (I do not know why and am so curious about that).
It is a beautiful book that was limited to 600 copies with an introduction by F. Paul Wilson who signed it, as well as Blatty.
Only the lettered, which I do not have got illustrations in the book, but I will say that the cover art of this book is my favorite of any trade or small press dust jacket art that I have seen.
It is black, simple, elegant, and the warped image of Regan in the light symbolizing a cross is, to many, disturbing.
The boards are a fun iridescent sable cloth too and the pages are of a nice quality.
The Exorcist: The Fortieth Anniversary Edition by William Peter Blatty Signed and Numbered Limited Made By Lonely Road Books
Lonely Road Books produced a phenomenal edition of the work in an oversized 7.5” x 10.5” to highlight the stunning original art by Caniglia.
This edition was limited to 374 numbered and signed by Blatty!
The dust jacket is gorgeous, but I prefer the white faux leather boards and red foil stamping sans dj.
The slipcase is crimson with gold foil stamping and the paper is quality, though not as thick in the hand as the Gauntlet or the Suntup.
The artwork in the book is the real highlight, aside from the author’s preferred text and signature, of course.
This art is tied for my favorite (with the Suntup), and it has a ton of illustrations and I think more than any other illustrated edition to date.
It is a sight to behold!
The Exorcist by William Peter Blatty Numbered Edition By Suntup Editions
To celebrate the 2021 50th anniversary of the great book, Paul Suntup and his team went all out to deliver one of the most celebrated numbered editions of The Exorcist and of their own outstanding lineup.
Suntup’s numbered version of The Exorcist is a bar setter.
With William Peter Blatty deceased, his close friend, a man he called his “brother” director of The Exorcist film William Friedkin penned the introduction and signed the book, as well as the marvelous artist Marc Potts.
Getting the award winning director to talk about the book and to sign this edition is nothing short of amazing.
But what is more, the intricate Jesuit priest shirt and collar, done in two-color Japanese cloth, with a white paper tie, is out of this world amazing!
“The EXORCIST by WILLIAM PETER BLATTY Suntup numbered edition unboxing” VIDEO by THE JEFF WORD
From Suntup’s description:
The Numbered edition of 250 copies is a handmade lapped component case binding constructed from purple and black Japanese cloth covers and purple folded single folio endsheets. It features foil stamped titling at the spine, a white Plike paper collar, flush mounted and wrapped at the head of the book, and is housed in a cigar-style enclosure covered in Japanese cloth. The edition is printed letterpress on Mohawk Via Vellum and is signed by William Friedkin and Marc Potts. Each copy of this edition is sewn and bound by hand. [Suntup.press]
This handbound gem has a smooth feel and an effervescent shine to the boards that catches the light in the most beautiful of ways.
The page type is outstanding, and the letterpress printing is truly the finest way to read the book.
You can see the ink on the page so easily and you can feel the impression of each word or device that the letterpress stamped onto the page.
There is no experience like reading this edition of the book.
It is heavy, it is drool-worthy in its visual design, and the fine art illustrated by Marc Potts is by far the darkest of all the editions I have seen.
The artwork in the book is every bit as good as Caniglia’s and tied to be my favorite of all.
And the cigar style case in the vestment purple and black cross insignia is a work of art in and of itself.
The overall transcendent edition of fiction for The Exorcist goes to the rarest of the S/L’s, the Suntup Editions numbered.
All of these books are incredible works of art that pay great homage to the work’s author, Blatty, and I recommend them all.
Replay By Ken Grimwood: Suntup Editions Replay Suntup Replay, and as this time travel tale goes on, the suspenseful, metaphysical, time-mind warp grips the reader’s heart tighter and tighter.
This is a Spoiler-Free** Preview Review of the upcoming Suntup Editions for Ken Grimwood’s award-winning novel Replay.
Conjuring all of the mystery of time travel, the philosophy behind its implications and the personal touch of experiencing love throughout the flux is why Isaac Asimov’s The End of Eternity is my favorite book by Asimov, and Grimwood’s Replay has all of these elements and a magic about it, while being an incredibly fresh and vibrant and innovative tale all of its own.
I know of no book like Replay.
The only hint as to the last book release from Suntup Editions was the publisher, Paul Suntup himself, who said this was one of his favorite books.
Despite having the utmost faith in his judgement as an extremely well-read human, a poet, and a brilliant crafter of fine press books, I was taken aback when I saw Replay announced; I had not heard of it.
I will admit to being flummoxed – as a science fiction writer and fanatic, how did I miss this – and I doubted whether or not I should invest in one of the upcoming editions from Suntup, despite their out-of-this-world design and attention to detail.
I was wrong to doubt. I was so wrong.
I read the book in a few days; I could not put it down.
I think the only reason more folks have not heard of Ken Grimwood is that the author tragically died of a heart attack young, not unlike Replay’s protagonist Jeff Winston who dies abruptly at age 43 – at the same day and time – and awakes with all memories of his past life, but back where he was at the age of 18 in the early 1960’s.
What would you do if you could go back with knowledge of 20+ years and experience in a young person’s body?
What are the potential consequences of the replays that happen over and over each time Jeff reaches that fatal day at age 43, no matter where he is?
This novel pulls and yanks at your heartstrings, again and again.
There is debauchery, tragedy, loss, love, and so much more.
The ending got me choked up, as 1984 and only a handful of other books have ever done.
And Suntup Editions has done the most amazing job of bringing every facet of this complex story to light in each of their four different stand-alone limited editions.
I will review the numbered edition in detail when it arrives, but for now feast your eyes on each of the incredible works of art that are pushing the boundaries of intrinsic story-encompassing publishing with the art and design.
These editions all floor me, and the artist edition is still available to purchase, as well, signed by surrealist painter Alessandro Sicioldr Bianchi.
The art is, well there are no words; take a look at each edition:
The Artist edition is limited to 1000 copies with a dust jacket illustrated by Alessandro Sicioldr Bianchi. It is a full cloth, smyth sewn binding with two-hits foil stamping. It is the only edition of the three with the dust jacket, and is signed by the artist. The edition is printed offset and is housed in an embossed paper covered slipcase with an acrylic coating. [https://suntup.press/replay]
The Numbered edition of 350 copies is a handbound quarter leather binding with printed Hahnemühle Bugra boards and leather capped fore edges. The edition is enclosed in a quarter leather chemise and a Japanese cloth slipcase. The cover features a letterpress printed label and endsheets are Hahnemühle Bugra. The edition is printed offset on Mohawk Via and is signed by Alessandro Sicioldr Bianchi and Tim Powers. [https://suntup.press/replay]
The Lettered edition is limited to 26 copies and is a Dorfner style binding after master German bookbinder Otto Dorfner, who developed this structure in the early 20th century. The binding is sewn on supports with goat leather strips laminated to silk, with the boards attached to the textblock by the sewing supports. The boards are covered in full goatskin with goatskin onlays and blind tooling on the spine, and the flyleaves are covered with a suede material on one side. The edition is sewn and bound entirely by hand by master bookbinder Jacek Tylkowski in Poland.
The clamshell enclosure is full European cloth with a blind debossed cover. The edition is printed offset on Mohawk Via and is signed by Alessandro Sicioldr Bianchi and Tim Powers. [https://suntup.press/replay]
The Roman Numeral edition is limited to 10 copies and is bound in full leather. The leather features an original design using hand dying techniques and photographs of live models, which are transfered to the surface. The block is sewn onto stubs for a perfect opening. The boards are laced on, for the greatest durability. Doublures and headbands are in leather. The edition is sewn and bound entirely by hand by master bookbinder, Zigor Anguiano Calzada in Spain.
The clamshell enclosure is full leather with a rounded spine and suede inner linings with Japanese cloth. The edition is printed offset on Mohawk Superfine and is signed by Alessandro Sicioldr Bianchi and Tim Powers. [https://suntup.press/replay]
H.G. Wells’ The Island of Doctor Moreau’s 125th By Suntup Editions is celebrating the shocking and classic work of early horror and science-fiction in deservedly grandiose fashion 125 years after its initial release.
To say the art, designs, bonus content give this novel the proper anniversary treatment is a big understatement.
The following Preview Review of H.G. Wells’ The Island of Doctor Moreau’s By Suntup Editions will have mild plot/events *Spoilers* in the story review and then get into a perusal of the fine press editions themselves, which will be examined more thoroughly after the books arrive.
The lone survivor of a deadly shipwreck that claimed two ships, Edward Prendick washes ashore on the elusive Noble’s Isle claimed by the infamous Dr. Moreau.
The novel brings in mystery, adventure and exploration themes, as well as good old-fashioned shock-horror and sci-fi.
The science and exploration of the 19th Century, and the preceding years, birthed interesting thoughts on the wings of Darwin and Mary Shelley’s publications: that of man playing god by merging animal and man into living chimera.
H.G. Wells’ The Island of Doctor Moreau is disturbing, suspenseful and has many unexpected twists along the island’s paths.
H.G. Wells took a character in Edward that is grateful for being nursed to health and through his uniquely thankful perspective examines the mysterious noises and shadowy visages that send shivers down his spine and lead him to delve deeper into the mysteries Dr. Moreau seems to have hidden on his island.
For those that enjoy stories of the monster within, the monster that we as humans carry and sometimes unleash, and the monsters out in the world, The Island Of Dr. Moreau is a stark reminder that repulsion can shift its allegiances, despite appearances.
Science fiction writers have used human-animal chimera experiments as the inspiration for creating characters that challenge us to consider what is quintessentially human and what is animal. Since Mary Shelley’s Frankenstein (1818) created a manufactured man from parts of dead animals and humans combined.
To have the ethics of bioengineering examined in such an evocative manner by Wells in 1896 is incredible.
And Suntup Editions have outdone themselves again with their treatment of H.G. Wells’ The Island of Doctor Moreau made into three limited edition states.
Suntup’s Artist Edition is limited to 1000 copies and is the only state with a dust jacket illustrated by Benz and Chang. The book is a full cloth, smyth sewn binding, is printed offset, has two-hits of foil stamping, and is signed by the artist.
The Numbered Edition of 350 copies is a quarter cloth binding with Japanese cloth boards, a cover foil stamped in gold and endsheets are custom designed for this state. It is printed letterpress on Mohawk Via and is signed by Megan Shepherd, Adam Roberts & Benz and Chang.
The Lettered edition is 26 copies with a full goatskin binding and a letterpress-printed spine label. The cover features a letterpress printed, die cut map of Noble’s Isle that looks amazing and the endsheets are hand marbled, while the pages are printed letterpress on Mohawk Via, and it comes in a clamshell enclosure covered in Japanese cloth with marbled paper floors. It is also signed by Megan Shepherd, Adam Roberts & Benz and Chang.
The books all look fantastic with six stand-out full color illustrations by Benz and Chang!
But as is befitting such an entertaining and historic work of fiction, Suntup has also included a bevy of bonus material, including a new exclusive foreword by Megan Shepherd and an afterword by Adam Roberts, who sign both the numbered and lettered states, and three Appendixes:
Included in all editions is the following bonus content:
Appendix A: Wells Explains: Two Essays Relating to Moreau’s Argument. H.G. Wells, The Province of Pain (1894) H.G. Wells, The Limits of Individual Plasticity (1895)
Appendix B: ‘The Terrible Medusa Case’: An Historical Source for Prendick’s Shipwreck. A narrative account of the infamous shipwreck Méduse (1818). Reproduction of Théodore Géricault’s masterpiece painting The Raft of the Medusa (c.1819).
Appendix C: Wells’s First Draft of Moreau. A study and excerpt from H.G. Wells’s original draft of Moreau.
We will thoroughly review the physical books themselves, the numbered and artist editions, after they arrive.
But seeing such trippy and befitting art, along with two letterpress editions, designed with bite for our inner explorer, the wait to see these in person is a difficult one.
Letterpress will make reading and rereading the numbered edition a sensational experience.
I do have one critique: I would have loved the numbered edition to match the previous Wells installments in the book’s outer design – but I understand and am very happy with the incredible design of the editions that have been created here (I love the images on the covers and I love Japanese cloth) and since this brought in Artist Editions and a wild lettered edition (what a MAP!) I feel my OCD inner-Sheldon Cooper can be quieted and content – but I still cannot wait to put this on the shelf!
In between my H.G. Wells trilogy and Robert Heinlein set on my shelf in the “Pillars of Sci-fi Suntup Section” The Island Of Dr. Moreau will go and continue to be an inspiration.
Suntup’s upcoming S/L: The Silence Of The Lambs & The Wolfen, signed by Thomas Harris and Whitley Strieber, respectively, highlight genre-defining literary moments with moving art and a design tone that make each of the books’ three editions stand apart.
This is a Spoiler-free Preview of the latest author-signed titles from Suntup Editions.
We will wait to review the stories and the facets of the different limited states, in detail, until after the Suntup editions of the novels come out, but it is worth looking at the exciting flair and literary soul that these two gems offer up in their overall design aesthetic and their stirring illustrations.
Because the ARCs of these two beauties are out in the wild, we can briefly review the sneak peak pb’s, if you will.
We are privileged to bring an inside look into the ARC for the Thomas Harris masterpiece The Silence Of The Lambs.
The story ends after 365 pages in this heavy and gorgeously crafted paperback.
As a thank you, Suntup Editions gave their loyal readers, they offered this Gift SOTL ARC, with the reader’s name in it, for free to all who had placed a number of orders over the year; it is truly remarkable.
This cover of The Silence Of The Lambs Gift ARC features the Artist Edition slipcase artwork, a stunning representation of the death’s head moth on a gray backdrop.
What never ceases to amaze is that Suntup ARCs are made of a better quality than many a trade paperback sold for retail.
The bright white paper is quality, as is the layout, and of course, the incredible illustrations by Tom Bagshaw.
Each of the three states of the book will have their own motif that captures the spirit of the writing and also works off of the editions of The Red Dragon By Thomas Harris that Suntup made previously.
This is no easy feat and finding a truly innovative, thought-provoking, and moving artist for each work is equally marvelous.
The art that Tom Bagshaw has done for this book is truly special.
The greatness of the story warrants art of this caliber and each piece delivers.
Here is a Preview of The Wolfen signed by author Whitley Strieber and the accompanying art portfolio.
I know little of the story, but a New York City-bound detective thrill ride after a new species of werewolf is the type of noir-horror genre-bender that captures my attention.
And I have no doubt, as with all other Paul Suntup selections, that this book will be quite enjoyable on the fiction front.
We will review it with a Yea or Nay after it is out.
What I am very familiar with is the artist François Vaillancourt’s great work on many novels.
Take a look at the illustrations François has created for this incredible book!
There are no words.
The snarling wolves! The snow-spatter! The Brooklyn Bridge? The detailed buildings and backgrounds and shadows!
And accompanying them even the slipcase and traycase and wooden case for each edition is as gritty as the pieces for the book!
These Suntup Editions of The Wolfen are going to be deep-rooted horror, thrilling, and impactful.
And with the bevy of astonishing artwork there is an accompanying Art Portfolio available, limited to 300.
The Art Portfolio and the Artist Edition of The Wolfen are still available atSuntup’s site here!
Suntup’s art prints are among the best there are, and TFF will review the Portfolio along with the editions when they come out, as the fiction is given an extra amount of livelihood with this kind of brilliant art and design.
My biggest critique of these books – and it is a big one – is that I have to wait to get the limited editions now; but that is not the publisher’s fault.
So buckle up, hone your favorite fava beans recipes and replace your claw-marked clothes, because the two newest author-signed editions from Suntup promise to set the bar ever higher, and they will hit us all too soon in the coming months.
P.S. I want to personally thank Paul Suntup for such a generous and beautiful gift in the ARC of SOTL. It means a lot.