There is no way to prepare readers for walking into the dream that is the astounding, infinite labyrinthine halls of Piranesi’s house.
I will do my best, but any reminiscing about Susanna Clarke’s incredible book of fantasy can only prepare you for a deep mystery amidst a magical setting so innovative, realistic, and unnerving, that it will only touch on the surface of Piranesi.
There is a world built quickly around the young man, Piranesi, that seems to be lost in a flooded world, or a universe of worlds, that reside within one isolated coastal house or possibly…a gargantuan museum especially built to expand ever onward.
Piranesi reminds me of being blissfully lost in the suspenseful mystery and immersive world, an enigma, in China Mieville’s The City and the City.
The protagonist, Piranesi, is endearing, meticulous, intelligent, and is an adult with a tenacious thirst for exploration and learning and human conversation.
He is so very lonely and flawed.
There are so few left alive in the house’s seemingly endless maze for him to speak with, after all.
Through his handwritten recordings of discoveries and observations, and his mapping of rooms, corridors, star patterns, and statues – these, he worships like gods – there is a feeling that the more Piranesi grows and the more he finds out, the more his mind may be unraveling.
This is one of, if not, the best unreliable narrator I have ever read, because, you are never quite sure throughout the entirety of Clarke’s book if you can trust 99% of Piranesi’s account, or only 9% of it.
So in a memorable and powerful way, Clarke’s story becomes much more than a radically different fantasy novel, it becomes a thrilling page-turner.
The story is flawless – you could write classes to teach around the execution of this book’s brilliant arc, alone.
The prose in Piranesi is scintillating, visually resplendent, and moving enough to cast a spell on unsuspecting readers.
The characters are full of their own ticks and biases, some benign and some very much not, but all have their own goals and interests.
Susanna Clarke’s Piranesi could not be more original; and I could not give a higher compliment for this masterpiece.
“Piranesi by Susanna Clarke: New Mind-bending Magical Realism” Was Written By R.J. Huneke.
About the Author of Piranesi:
Susanna Clarke’s debut novel Jonathan Strange & Mr Norrell was first published in more than 34 countries and was longlisted for the Man Booker Prize and shortlisted for the Whitbread First Novel Award and the Guardian First Book Award. It won British Book Awards Newcomer of the Year, the Hugo Award and the World Fantasy Award in 2005. The Ladies of Grace Adieu, a collection of short stories, some set in the world of Jonathan Strange & Mr Norrell, was published by Bloomsbury in 2006. Piranesi was a New York Times and Sunday Times bestseller, and shortlisted for the Costa Novel of the Year Award, the RSL Encore Award and the Women’s Prize for Fiction. [bookshop.org]
Best Books of 2024 TFF To-Read Festivus Guide comes to you just in time to place some last-minute literature at the feet of your metal pole, recently taken from out of the crawl space.
Here at TFF, we are especially focused on the fiction that transforms us all, this Solstice.
So Happy Yule, Happy Holly King, Welcome Father Christmas, or whichever legends you may observe ere the New Year of 2025* comes!
*At TFF we review newly released books and also books that have been released any year, so our ‘best of list’ contains what we found and loved this year, not necessarily what was published in 2024.
Feast your eyes, Eager Readers, The Best of 2024:
The Agatha Christie Hercule Poirot’s Mustache Equals Best Mystery Award goes to the THE FRAMED WOMEN OF ARDEMORE HOUSE by Brandy Schillace.
Few can intertwine classic golden age mystery tropes with modern fiction themes, both with myriad intriguing facets, like Dr. Schillace writes in this classic.
An excerpt from our review: The witty, charming, and intelligent [protagonist] Jo is thirsty for answers . . . And despite her difficulty overcoming a not-too-distant divorce with a husband that continually reminded her of her autism and her behavioral faux pas . . . she collects herself time and again and proves to be insightful, well-read, and courageous as she presses on. [ReadTFF.com]
The Ray Bradbury Award Winner For Best Speculative Fiction Likely To Blow The Doors Off Your Mind Palace goes to…R.F. Kuang for the novel BABEL.
This book is the one that moved me the most in the entire year of 2024.
I knew as soon as I read BABEL, it would make an indelible dent in my brain.
An excerpt from our review: If you are a fan of language or translation or history or great characters being challenged beyond your wildest prescient thoughts, then you must read this . . . As with many great stories – especially in the SFF-speculative fiction realm – the character’s path needs to resonate deeply, and Kuang’s protagonist Robin Swift does this while being utterly captivating. [ReadTFF.com]
The 1984: You Made Me Cry…Twice Award goes to Philip Pullman’s The Amber Spyglass – it hurt so damn much.
If you want to buy any of the award-winning books, check them out here in my Bookshop.org List – I get a commission if you buy from there and monies are donated to local bookstores with each purchase:
The Red Death Award For A Work Most Likely To Keep You Too Terrified To Sleep Award goes to…THE CLUB DUMAS by Arturo Pérez-Reverte and Sonia Soto (Translator).
I love bibliomysteries, but this one combines a historic evil, played out in brutal fashion, against the backdrop of New York City, Spain, Portugal, and the many twists of a previously unknown The Three Musketeers manuscript pages.
THE CLUB DUMAS is utterly unique, but be careful you do not lose yourself as you strive to unravel the book’s many strands.
The Michael Crichton You Better Check Your Technology At The Door Sci-fi Award goes to…TOUCHED by Walter Mosley.
The language from one of the world’s best authors is as sharp as it comes!
The Da Vinci Ornithopter Award For Best Small Press Publication goes to…both Hard Case Crime for THE LAST QUARRY by Max Allan Collins and Phantasia Press for Mickey7 by Edward Ashton.
Quarry is the villain we love to root for, and, hell, make him an ‘antihero’ he does not give a damn as to your labels. In this book, there is an outstanding display of character growth for the would-be-retired assassin.
Mickey7 by Edward Ashton was the first in a historic Phantasia Press relaunch, as the first fine press dedicated entirely to Sci-Fi-Fantasy returns in the 21st Century with a resounding BOOM and a gorgeous limited edition.
The Kurt Vonnegut Satiric Stylin’ Society Needs Kilgore Trout To Give It An Enema Award goes to…TIMEQUAKE by Kurt Vonnegut.
You will never read anything remotely like this novel – TIMEQUAKE is genius, but I know of no sane way to describe it to you.
Last, but not least, is the Inklings Award For Best Fantasy In Fiction is…FEET OF CLAY by Terry Pratchett.
The Discworld Series continues to daunt my dreams and haunt my, well for lack of a better word, daydreams, and, well, the point is these books are so bloody good, you want to keep reading more and more about Commander Vimes of the Night’s Watch and all of the plethora of fantastically, wonderful characters that contribute to the sludge that clings to the edge of the Disc.
FEET OF CLAY is an impactful classic on multiple fronts in the fantasy genre.
Here dear readers is the list of TFF Best Books of 2024:
The Agatha Christie Hercule Poirot’s Mustache Equals Best Mystery Award
Babel By R.F. Kuang: a revolutionary historical fantasy epic that examines the influence of cogent language and its romantic secrets, bitter deceptions, and intoxicating effects that mark the meek and the brash, the power-hungry and the marytrs.
Babel By R.F. Kuang may be the best book I read this year.
If you are a fan of language or translation or history or great characters being challenged beyond your wildest prescient thoughts, then you must read this must-read, this phenomenal tale by R.F. Kuang.
As with many great stories – especially in the SFF-speculative fiction realm – the character’s path needs to resonate deeply, and Kuang’s protagonist Robin Swift does this while being utterly captivating.
The name he chooses after being dragged from his home in Canton and near-forcibly adopted by an English professor is one stemming from a love of literature that he identifies with, Robin Swift.
The following book review of R.F. Kuang’s Babel: Or the Necessity of Violence: An Arcane History of the Oxford Translators’ Revolution is SPOILER-FREE.
Robin Swift’s journey is so real, it hurts.
His awe at his first foray into an English bookstore, or an Oxford library, is moving and relatable.
You swell with joy, with Robin, as he delights in the exotic tastes of desserts from bakeries for the first time, just as you will feel the shock of betrayal least looked for when it lashes out at him.
Betrayal is a theme in Babel.
“Traduttore, traditore: An act of translation is always an act of betrayal.”
Language and story metaphorically and literally make magic in Babel.
Words reside at the center of civilization but also at the panopticon, whether for use in aiding humanity, or in enslaving it.
Seeing the black, white, and gray areas in Babel proves difficult for those involved in the tower, the school of translation at Oxford, of Babel, for the spell of comfort, happiness, fulfillment, and friendship casts a certain amount of myopia that runs deeper than the magical silver bars the translators create and maintain.
The history in Babel is, itself, a mythology by which Kuang makes the reader climb and dive off a cliff and deeply submerge into the early 19th Century as the riotous age of colonialism is at a zenith, and at the same time depict Oxford University – and the college life that Robin embarks on – which is outwardly fun, but filled with racism, misogyny, and final exams that can cause the students to bleed out.
Make no mistake, Babel will tear at your heart, gouge deeply, and continue to stay with you, long after you finish reading.
Babel is a masterpiece of fantasy literature that reaches depths similar in scope and artistry to the most deeply moving and impactful symphonies, works of literature, epic poems, and fine art.
THIS IS HOW YOU LOSE THE TIME WAR by Amal El-Mohtar & Max Gladstone SOARS!
The Hugo, Nebula, and Locus Awards Winner for best novella, THIS IS HOW YOU LOSE THE TIME WAR represents some of the very best in innovative speculative fiction.
I read this book in a few days and was enamored with it!
The following is a SPOILER-FREE book review of THIS IS HOW YOU LOSE THE TIME WAR by Amal El-Mohtar & Max Gladstone.
The main characters Red and Blue are agents in a time war described best as traversing amongst myriad threats of history and tangled braids of the future.
Red and Blue are women, if not wholly humanoid, well that is for the reader to decide, and are from a distant future.
They are the best at what they do: marking threads, timelines, for destruction and/or control.
The fallout of their actions directly improves or harms entire cords of histories.
Upon becoming aware of one another’s opposition, Red and Blue begin a taunting, spiritual, revealing, and ultimately romantic correspondence through some extremely well-hidden and well-experienced letters (eating and reveling in Sumac seeds for one, savoring a scintillating pot of tea for another).
The prose from both authors is deeply poetic and philosophical, and is layered in quips, in new tech from the future, in new interpretations of past figures and events.
Red and Blue are deeply insightful people, and they challenge each other to grow even as they get to know one another via the letters.
To create this book, Max Gladstone wrote all of Red and Amal El-Mohtar wrote all of Blue’s chapters.
And so a brilliant use of unique personality naturally illuminates each character.
At first Red and Blue seem like they might snare one another.
Later, Red and Blue seem to have betrayed the time war itself.
The result is that each layer of the book unfolds and is more suspenseful, more delicate, more painful, and more invigorating than the last section.
El-Mohtar and Gladstone’s THIS IS HOW YOU LOSE THE TIME WAR is one of those pivotal works of sci-fi-fantasy, a classic that needs to be reread again and again to be fully realized.
An Unkindness of Magicians by Kat Howard stands apart, as the first book in The Unseen World series this thrilling journey to the shadowy heart of magic and the magicians who wield such powers in New York City is unparalleled.
The realm of the Unseen World reveals Manhattan’s dark, magical secrets.
But casting magic comes at a price.
There is a balance of power in their world and it is shifting, as the magic itself fades. The protagonist, Sydney, enters the Unseen World, and she is hell-bent on bringing it down.
What Kat Howard has done with An Unkindness of Magicians is extraordinary!
This speculative fiction thriller is so inventive and intriguing.
Howard’s characters are well-rounded, memorable, and all too real in their visceral struggles.
The prose is enveloping in its unique style that is moving, impactful, and poetic, at just the right moments, as in the following passage:
She breathed in. Sydney was, all at once, an entire forest. She was root and leaf, dirt and sky. Green and spring were blood in her veins, air in her lungs. She was, between one heartbeat and the next, all of magic.
The world building soars to brilliant heights off of the foundation of the prose, as a vast realm of magic courses through the veins of the great city, and places like New York’s Central Park house hidden facets of the Unseen World that are wholly new and vivid for readers.
There are so many good lines in the book, but this one wrenched on my heartstrings:
“It was a terrible thing, having hope again.” [Howard, Kat, An Unkindness of Magicians, Gallery/Saga, 2017, page 163]
Mild SPOILER Warning for An Unkindness of Magicians
Every two decades, sometimes a few years less, sometimes more, there is a Turning of Fate’s wheel, and in the Turning the magical houses enter a medieval-like tournament to vie for power, to establish themselves in the Unseen World, or to settle grudges with duels to the death.
The politics, the disinheritances, the murders, the humor, the conversations over drinks, and the plotting and manipulation carried out by a bevy of memorable characters creates an enthralling atmosphere, not unlike the dramatic woven plots in George R.R. Martin’s A Game Of Thrones.
The main character, Sydney, is unknown in the magicians’ circles when she arrives in the city.
But she applies for a job, to be a champion of a potential new magical house, and as she lifts cars in the middle of the Manhattan sky with no one – even those non-magical New Yorkers, the mundanes, in their own cars – the wiser, she wins the job.
In her first duel, she wields such immense power that by forcing all of the magicians present to dance, like puppets, everyone takes immediate note.
A target is planted firmly on her back.
Sydney has been let out of the House of Shadows, a hidden magical house that secretly fuels all of the magicians so that they can cast without paying the painful physical toll that comes with the use of magic.
The reality, Sydney, reveals is that infants are sacrificed by each house and those children are raised by Shadows, who cut into their bodies and their very shadows to withdraw magic to pay the toll for the Unseen World.
Warning! You may not be able to put An Unkindness of Magicians down!
Sydney’s contract with Shadows has nearly been completed, and she wants nothing more than to ruin the House of Shadows and to somehow stop the corrupt wielding of magic.
What she has to endure in her first time in the outside world, from newfound love to seeing snow for the first time, to learning who her family is and that they sacrificed her as a baby is deeply moving.
Readers become very invested in Sydney.
It seems like almost anything is possible in this magical world, but as Sydney comes to find out, the cost could be everything she has.
A Sleight Of Shadows, Book #2 in the Unseen World series, by Kat Howard has just come out on April 25, 2023 and is available now!
