Cemetery Dance Limited Edition AGE NIGHT SHIFT By Stephen King

Cemetery Dance Limited Edition AGE NIGHT SHIFT By Stephen King

Cemetery Dance Limited Edition AGE Night Shift By Stephen King is a deserving fine press production of the author’s first collection of short stories, and there are two added bonus shorts included that were not published by the Doubleday edition!

The short stories are all extraordinary and many are wholly groundbreaking for what horror could evolve to be.

Better put, Sai King’s stories hit on so many different levels and are so impactful that many traditional views of literary prowess were thrown out of the window screaming.

Most of these stories were originally published as stand-alone pieces in men’s magazines.

One exception is the very first story Stephen King got paid for, “The Glass Floor,” that was originally published in the Autumn 1967 issue of Startling Mystery Stories.

That and the introduction in the Bonus section of CD’s Night Shift, alone, is worth the price of admission.

Cemetery Dance Night Shift SPOILERS ahead*

To hear the writer talk about his experience getting rejections and receiving that first check is just remarkable.

This review will touch on two of the short stories held within and give an in-depth look at the small press production of the book itself, the limited deluxe Artist Gift Edition of Night Shift, masterfully produced by Cemetery Dance Publications.

And we will look at two of the weirdest and most fun shorts!

Enter “The Lawnmower Man.”

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Easily as strange and hilarious and horrific a tale as can be constructed on ancient mythic gods and modern civilization’s obsession with keeping the home’s grass meticulously tended, “The Lawnmower Man” offers mystery, suspense, humor, and an otherworldly sense of dreaming while awake.

How or why someone decided to make a movie using the title alone and throwing out the insanity of the nude grass gobbling antagonist that makes the story is beyond all rational thought, but it happened.

This story proved that like Lovecraft and Poe, King could touch on ancient gods of yore, or wholly make up his own mythology in the modern world, and the charm of it all comes down to the characters caught within.

To date, I can think of no other story remotely like “The Lawnmower Man” – one of the highest compliments I give.

The next work is another favorite of mine that was touched on by TFF before in the One Of Us review, here: “I Am The Doorway.”

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Another innovative tale is spawned circa the Space Race to the moon and beyond.

It merges science-fiction and the macabre in a painfully realistic manner.

Why does realism come to mind?

Space seems to be a lifeless void and a quiet vacuum, but the reaches outside the earth’s atmosphere are the truest unknown.

The astronaut here recalls little of his voyage to Venus that might note any apparent cause for his current murderous predicament.

But it is the only explanation.

Unlike so many sci-fi voyages and tales, Stephen King attaches the things beyond human understanding.

What could be more terrifying than intelligent entities, that manifest themselves like alien spores, a disease, or a parasite, in the form of eyes that continue to sprout from the searing, itching fingers of their space traveling host.

We cannot send life into space, but that does not mean that rabid rabies-like pathogens, or non-carbon-based life forms cannot live there, cannot hunt there for a way onto the earth to feed.

The astronaut is their doorway to the earth, and as far-fetched as that terrifying premise may seem, its sheer plausibility is solidified in that we cannot for sure say that the Eyes outside Venus’ atmosphere are an impossibility.

Truth be told, I would have loved to hear more about the astronaut in space in the story, but what King leaves to the imagination has me thinking about this one as I reread it again and again, shivering and itching between my thumb and forefinger.

All of the varying dark and spectacular shorts – from “Jerusalem’s Lot” to “Children of the Corn” to “Weeds” (the last bonus story in the volume) – are worth rereading and enjoying alongside the stunning artwork of Chris Odgers in CD’s Night Shift AGE.

For the $95 price-point CD’s Night Shift AGE gets an 11/10 score.

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Limited to just 3000 books, each of the short stories feature well thought out and deeply impactful original art from Chris Odgers, and they stand out in the oversized deluxe design of 7 X 10 inches.

The faux leather brown of the book and the matching slipcase make the green and gold foil stamping really pop, as does the offset two color interior printing, and the thick, quality paper.

Cemetery Dance Limited Edition AGE Night Shift, Night Shift, stephen king, chris odgers, Cemetery Dance, fine press

There are many bonus materials deservingly given to this book, a piece of literary history, including:

  • a foreword by Stephen King
  • an introduction by John D. MacDonald
  • a brand new afterword by Stewart O’Nan
  • two bonus stories (“The Glass Floor” and “Weeds”) that have never appeared in any edition anywhere in the world

And as CD’s Night Shift Artist Gift Edition is meant to highlight the tales with the paired art, the black and white illustrations are fine art that perfectly encompass the respective works being emanated to strong and stark imagery.

The Forgotten Fiction Grade: YEA (read it!)


Want To Buy The Book from a local bookseller? Click Away!

 

“Cemetery Dance Limited Edition AGE NIGHT SHIFT By Stephen King” was written by R.J. Huneke

 

 

The Forgotten Fiction ANNOUNCEMENT SCHEDULE 3-2021 To 8-2021

The Forgotten Fiction ANNOUNCEMENT SCHEDULE 3-2021 To 8-2021

The Forgotten Fiction ANNOUNCEMENT SCHEDULE 3-2021 To 6-2021: we are going keep TFF’s Eager Readers up to snuff with all of the happenings, from book reviews, to guest reviewers, to giveaway contests, to Rune Works reader-inspired creations.

BIG THINGS Coming To TFF!

Seeing how TFF has grown immensely in just a few short months and less than a year since its launch, I want to thank you all for your support and shared enthusiasm for all that we love as bibliophiles.


ANNOUNCEMENT SCHEDULE 3-2021 To 8-2021

 

  • March 30, 2021 @ 12pm EST

    • TFF Book Giveaway Contest Is Announced & Opened To Enter Free

  • April 5, 2021 @ 1pm EST

    • TFF Livestream & Giveaway Contest Drawing

  • April 28, 2021 @ 1pm EST

    • TFF Book Giveaway Contest Is Announced & Opened To Enter Free

  • May 4, 2021 @ 1pm EST

    • TFF Livestream & Giveaway Contest Drawing

  • May 26, 2021 @ 1pm EST

    • TFF Book Giveaway Contest Is Announced & Opened To Enter Free

  • June 1, 2021 @ 1pm EST

    • TFF Livestream & Giveaway Contest Drawing

  • June 30, 2021 @ 1pm EST

    • TFF Book Giveaway Contest Is Announced & Opened To Enter Free

  • July 6, 2021 @ 1pm EST

    • TFF Livestream & Giveaway Contest Drawing

  • July 28, 2021 @ 1pm EST

    • TFF Book Giveaway Contest Is Announced & Opened To Enter Free

  • August 3, 2021 @ 1pm EST

    • TFF Livestream & Giveaway Contest Drawing

  • August 25, 2021 @ 1pm EST

    • TFF Book Giveaway Contest Is Announced & Opened To Enter Free


And so we will be doing a monthly livestream, via Facebook Live, and in that brief time I will share news for upcoming book reviews and RW Cases or other creations, as well as finish each session with a drawing to choose a winner for a free giveaway contest.

What did I just say?!

Well, yeah, every month there will be a free to enter TFF Giveaway Contest taking place the week before the livestream.

I love reading, and TFF will be spreading the love!

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The prizes will get better and better – wait until you see this month’s contest! – and most often there will be a choice for the winner (or winners, when we mix it up) to choose from so that if we are giving away books you can hopefully get something you do not have.

Quite a few brilliant authors are interested in writing book reviews on all sorts of fiction.

I spoke briefly last week on Elizabeth Yoo’s upcoming reviews of 1960’s Italian fiction that she will blow us away with, but so much more than that is on the horizon, and since I love almost every type of fiction out there, from horror and sci-fi to historical fiction, there will always be a fun variety to peruse.

So in this site’s NEWS section I will post a TFF Quarterly ANNOUNCEMENT SCHEDULE and I will feature them in a pulldown from the site menu under NEWS too.

What is coming up?

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Well, besides the monthly contests, I will pick a book of the month that either was or is going to be reviewed during the livestream – a teaser, if you will – and I would like to start some Q/A time too (maybe not every time), but I will play that by ear. I love to live in the moment, so we will see where things take us.

Coming up next in book reviews…

In no particular order, except that CD’s NIGHT SHIFT by Stephen King is almost certainly next, here are the book-newcomers to The Forgotten Fiction magazine:

  • NIGHT SHIFT by Stephen King – Cemetery Dance Gift Edition
  • Ready Player One By Ernest Cline – Lettered Edition By Curious King Books
  • Seed By Ania Ahlborn – Numbered Edition By Suntup Editions
  • Crackle and Fire: An Angela Hardwicke Mystery By Russ Colchamiro – By Crazy 8 Press
  • Alice By Lewis Carroll – Numbered Edition by Amaranthine Books
  • Later By Stephen King – Numbered Edition By Hard Case Crime
  • A Scanner Darkly By Philip K. Dick – Suntup Editions Numbered and Artist Editions
  • Fahrenheit 451 by Ray Bradbury – Suntup Editions Numbered and Artist Editions
  • More Books by Michael Crichton – requests are open, folks!
  • The End Of Eternity By Isaac Asimov (and pictures of a rare first edition)
  • The Time Machine, The Invisible Man, and The War Of The Worlds, all By H.G. Wells – all Suntup Edition’s Limited Numbered
  • Killer Come Back To Me the unpublished Ray Bradbury book celebrating Bradbury’s 100th birthday by Hard Case Crime

There will be many books that pop up and wedge there way in between the ones above, but these are some of the fiction titles, young and old, to look forward to.

Branching off of both The Forgotten Fiction and my fledgling production company, press and PR agency Rune Works Productions Ltd. are the literary creations crafted by hand in my woodshop, like the TFF Rune Works Book Cases.

Call them traycases, slipcases, or whatever else you want, but do not call them mass produced haha.

These are beloved creations that I have hand crafted for my own library, art to hold my most precious art.

I am busy working on these RW Rare Book Cases:

  • A one-of-a-kind SILENCE OF THE LAMBS 2021 ARC case for the winner of the Unofficial Fans Of Suntup group’s contest, Kyle – this will be a 1 / 1 and like nothing anyone has ever seen
  • THE STAND Case With Licensed Bernie Wrightson Art – for UK and for US 1st printings
  • SECRET Case Project [hint: horror and Ania Ahlborn]
  • CARRIE 1st Edition case
  • FAHRENHEIT 451 case
  • The Gunslinger case
  • The Long Walk case
  • “The Bachman Books” case
  • “Gunslinger” Magazine of Fantasy & Science Fiction cases
  • A I of I creation customized for an issue of Astounding Fiction from 1953
  • Startling Mystery 1967 and 1969 Case
  • Fight Club cases, with a strip of cartoon film?
  • A Scanner Darkly case for the first edition of Philip K. Dick’s classic
  • Revival Us First Edition for signed copies
  • End Of Watch Us First Edition for signed copies
  • If It Bleeds Us First Edition for signed copies
  • The End Of Eternity Isaac Asimov case
  • And even a non-book case for a rare Star Wars Lego piece!

There are a couple of cases I want to remain a secret for now.

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These are some ambitious projects that I have undertaken and some will be ready to fly in the near future, while others may take a year or more to develop (some have already crossed into this realm).

These are handmade and planned and collaborated on with usually one person, me, or a very few others, at times.

That takes time.

But I love to make them and I love to see their purpose fulfilled as the books join with them, and much as time is one of our most precious commodities, up there with family and health, I take my time to ensure the quality I feel all of my work, from my written works to my web-made to my hand-made works all are the most they can be.

Be kind to one another, be safe, and go read!

 

Best,

 

~R.J.H.

Easy Go By John Lange (Michael Crichton) A 4/5 Star Adventure

Easy Go By John Lange (Michael Crichton) A 4/5 Star Adventure

Easy Go By John Lange (Michael Crichton) A 4/5 Star Adventure is a Spoiler-free Book Review.

Beneath the sands of the Egyptian desert lies treasure beyond imagining. If you found a hidden message deciphered from hieroglyphics would you dispatch a treasure hunt?

How would you fund the dig and sell the treasure?

Who would you trust to hire?

Barnaby, an astute archeologist with a specialization in hieroglyphics, finds himself in this peculiar situation.

By pure happenstance, he puts trust in someone he would have never expected to: a bold journalist who proved to have connections and all the answers.

Here is the story synopsis, and the book review continues below:


From Goodreads.com:

Beneath the sands of the Egyptian desert lies treasure beyond imagining. And when a professor of archaeology finds clues to the location of a Pharaoh’s lost tomb in ancient hieroglyphs, he hatches a plan to find the burial site – and plunder it.

But can a five-man team of smugglers and thieves uncover what the centuries have hidden? And even if they find it, can they escape with it…and with their lives?

 

Original Title: Easy Go

Author: John Lange (Pseudonym), Michael Crichton

Paperback, 276 pages
Published October 29th 2013 by Hard Case Crime (first published 1968)

The following TFF book review of John Lange’s Easy Go is Spoiler-free*****.

easy go, Michael Crichton, john lange, hard case crime

Would they pull off the largest archeological heist in history? Can a five-man team of smugglers and thieves uncover what centuries have hidden?

And even if they find it, can they smuggle it…and escape with their lives?

Easy Go is an adventure novel about a small group of thieves who find information about the hiding place of the last tomb of the Pharaohs, secretly excavate the tomb, and make plans to escape with the treasure from Egypt.

The story of this heist, told with humor, is reminiscent of an Oceans Eleven scheme.

This read is among Crichton’s earlier works, and this novel is not a masterpiece but it is a fun, quick, worthwhile read.

Critics argue it suffers from a number of flaws both in terms of character development and in terms of the plot. However, keeping in mind this was written in a medical student’s free time, the story flows well and the discovery of the tombs is quite compelling.

Easy Go was Crichton’s third published novel while he was enrolled at Harvard Medical School in 1968 as John Lange.

The Andromeda Strain was released the previous year and published under his real name. Before abandoning the practice in 1972, while writing The Terminal Man, Michael Crichton actually published 10 of his first 11 titles under pseudonyms such as John Lange and Jeffery Hudson. While two of those titles were eventually republished under his own name, the rest were abandoned to the dusty shelves of used bookstores around the world, becoming collectibles for those who knew what to look for.

Ultimately, it’s not going to make you forget the likes of Jurassic Park or State of Fear, nevertheless Easy Go is an amusing little adventure that offers some compelling glimpses of the Crichton we’ve come to appreciate.

The Forgotten Fiction Grade: YEA (read it!)


Want To Buy The Book from a local bookseller? Click Away!

 

 

“Easy Go By John Lange (Michael Crichton) A 4/5 Star Adventure” was written by Peter Maisano.

 

 

Suntup Editions Immortalize I AM LEGEND By Richard Matheson

Suntup Editions Immortalize I AM LEGEND By Richard Matheson

Suntup Editions immortalize I AM LEGEND by Richard Matheson with three incredible limited editions and an I AM LEGEND Fine Art Print featuring the same Stanley Meltzoff cover art that was on the Gold Medal Books first edition of the book in 1954.

Oh, the horror! To be the sole survivor of a world-wide vampire and zombie-vampire creating pandemic!

Each of the three Suntup editions are incredible to behold, and we will be reviewing the Suntup Editions Artist Gift Edition of I AM LEGEND by Richard Matheson and the accompanying Limited Edition giclee print.

The Suntup editions are as timeless as the book I AM LEGEND itself.

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I AM LEGEND by Richard Matheson was a first on many levels, as it crafted a post-apocalyptic world where living vampires emerge alongside undead zombie-vampires.

The last man on earth, Robert Neville, is besieged with an incessant danger and terror.

Here is the story synopsis from Suntup Editions, and the review continues below it.


“This may be the most terrifying novel you will ever read.”

This quote from mystery writer William Campbell Gault graced the first edition cover of what would become one of the most influential and adapted works of the 20th century. Originally published in 1954, Richard Matheson’s I Am Legend ushered in a different kind of novel, defying and transcending genre to combine elements of horror and science fiction within a post-apocalyptic frame.

I Am Legend is the story of Robert Neville, who appears to be the sole survivor of a pandemic that has turned the human race into a crossbreed of zombies and vampires. Robert must hunt by day, hide by night, and most importantly, survive.

In 2012, the Horror Writers Association gave I Am Legend the special Vampire Novel of the Century Award. The novel and Richard Matheson are often credited for creating the zombie-vampire genre.

The cover art on that edition was painted (1917-2006), and has become one of the most famous book covers of the genre.

IAL Suntup AGE Illustration © 2019 by Allen Williams. Artist Gift edition cover art by Stanley Meltzoff © 2020 Silverfish Press. [Suntup.press]


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PLEASE NOTE: The following book review is *SPOILER FREE* and discussion of the plot is tread upon lightly for the sake of readers that have not yet opened the book.

Though many more are familiar with the name ‘I AM LEGEND’ since the movie of the same name (little else resembled the book), starring Will Smith, came out, than the book, that should be true of the name Richard Matheson, who exploded onto the horror, science-fiction, and post-apocalyptic fiction scene with his short novel I AM LEGEND in 1954.

It was not ten years after its first publication, only in paperback for 25 cents, that it came out in theaters as The Last Man On Earth, starring Vincent Price (this movie resembled the book), in 1964.

Many great novels had begun to spring from Matheson by this time, but I AM LEGEND truly made an indelible mark on horror tales and fiction itself for that matter.

It is not just the brilliant concepts of the story and the last man, Neville, struggling to make stakes, keep fresh garlic on his home’s door, and cope with the menace that lurks at night that make this book special.

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It is the inner workings of the great character, Robert Neville, that moves the reader, again and again.

The man is tortured.

And he continues to torture himself with thoughts of what was and is clearly deeply depressed.

In the beginning he has three passions: killing the vampires, surviving, and drinking away the dread of it all.

Haunted by his family, now years gone, the lack of human contact while undead females taunt his sexual hunger night after night, and his own neighbor repeatedly yelling his name over the sound of the music Robert uses to try and drown out the cries in the night puts him under a cloud of pressure.

The pressure mounts when ideas of the pandemic being curable take hold, but survival becomes no less difficult.

The relationships Neville gets to form will break your heart.

The world-building – the unending menace, impending calamity, and the pits of burning bodies – is so immersive it is scary, the language use is brilliant, the plot is full of gut-strangling twists, and the ending does not disappoint.

Here is Jeff’s infamous unboxing video of this edition:

The AGE Suntup Edition of I AM LEGEND is a Must-Have.

The limited edition of 1000 copies of I AM LEGEND by Paul Suntup and his brilliant team offer a large full cloth smyth-sewn binding with two-hits foil stamping, and printed endsheets featuring the creepy long-nailed arm of one of the undead.

The crimson red emanates the red used on the original first edition Gold Medal Books made and to further that cause the entire front cover of the dust jacket, sans title or verbiage, is the historic painting by Stanley Meltzoff (1917-2006) from that same original 1954 paperback edition.

The depiction of Neville holding a stake aloft as he looks down at the pit of burning bodies in the piece is timeless.

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It adds so much to the gorgeous AGE book that is signed by the illustrator Allen Williams, whose creepy black and white depictions of the IAL world are haunting equally enthralling.

The book, printed offset, is housed in a printed slipcase with the creepiest vampire hand you will ever see and there is cloth on the upper and lower sections.

The look and feel of the cloth and the gold foil is something truly special in the hand.

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And going back to the cover art: Suntup Editions created an I AM LEGEND Fine Art Print of the Stanley Meltzoff painted cover art, and I had to have it as well.

Limited to just 50 copies, the I AM LEGEND Fine Art Print by Suntup is STILL AVAILABLE here (how or why I do not know)!

Be sure to check out the wild numbered and lettered editions of this book from Suntup too!

Between the art, the care for every aspect of the book, and the impactful work put into all of the Suntup Editions of I AM LEGEND, the publisher has helped to further immortalize a grandfather of dark fiction and one of his most prominent works.

The Forgotten Fiction Grade: YEA (read ’em and buy ’em)!


Want To Buy The I AM LEGEND Fine Art Print by Suntup Editions (or their last numbered book that is NOT SOLD OUT, somehow, Brother by Ania Ahlborn)? Click away!

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“Suntup Editions Immortalize I AM LEGEND By Richard Matheson” was written by R.J. Huneke.

P.S. If You Like The Hand-made Wooden Case For I AM LEGEND…

Check Out Out My Pet Projects, Igor, here.

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P.P.S. If You Want To Know A Little More About How The Forgotten Fiction Is Different & Our Mission . . .

We are really trying to achieve two main goals here:

  1. To bolster every author who puts out a work of fiction long after the initial buzz that accompanied its release and to bolster small press and fine press publishers that make works of art out of the books we love. This includes limited edition and small press publications, like Suntup Editions, that are also reviewed for their physical beauty, as well as the work’s literary art and often illustrations, so long as the initial work has been out 60 days.
  2. We love books of fiction! And as readers we have too little time to read ALL of the books that fall onto our tentative To-Read List. The Forgotten Fiction hopes that with our Yea or Nay stamp, we can definitively give our unbiased opinion to you as a recommendation that may or may not move a book from the stack to your Must-Read List.

To Read More Details On Our Process Go To The About Page Here.

Ania Ahlborn’s Brother Astounds In Limited Suntup Editions

Ania Ahlborn’s Brother Astounds In Limited Suntup Editions

Ania Ahlborn’s Brother astounds in limited Suntup Editions, and both the visceral, chilling work of horror and the incredible physical manifestation of the book from Suntup are reviewed here.

A short summation of the book review of Brother is that it is a brilliant novel and work of art.

And Suntup Editions crafted it into palpable art for book lovers to grasp in-hand.

Few tales really grab you, wringing your stomach repeatedly, like Brother does.

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Here is the story synopsis as seen on Suntup Editions’ website, Suntup.press, and the review continues below:


Synopsis:

Brother is the terrifying tale of a family’s disturbing traditions, and of one brother’s determination to break free from all he has ever known. In a crooked farmhouse off the beaten path and miles away from civilization live the Morrows. A band of eccentric recluses, the family keeps to themselves so as not to be questioned by local police when girls go missing from the side of the highway. But nineteen-year-old Michael Morrow is different. He derives no pleasure in the screams that echo through the trees.

Michael pines for a life of normalcy and to see a world beyond that of West Virginia. In the nearby town of Dahlia, Michael meets Alice, a pretty girl working at a record shop. He is immediately smitten, but his family is all too eager to remind him of the monster he is.

Hailed by critics as “impossible to put down,” Ahlborn delivers all the guilt, guts, and gore of family drama as Michael fights to attain the life he longs for. [credit: Suntup.press]


Both the story itself and the hardcover books are inspired.

From the opening screams, and the lack of surprise at those screams, Brother has you.

Ania Ahlborn’s Brother transcends all kinds of fiction genre labels, as horror, suspense, psychological thriller, and gore converge, and that is part of what makes this work so damn good.

Ahlborn seizes on the psyche of nineteen-year-old protagonist, Michael Morrow, to tell her bone-chilling tale, and he is utterly compelling.

Michael is a walking dichotomy: he is both full of dread and hope, seemingly gold of heart and yet a part of humanity at its most hideous; his brother Reb takes jabs at Michael being slow in the uptake throughout the book and yet Michael shows signs of swift insightfulness; he is a romantic at heart and extremely naïve, despite seeing atrocities the likes of which few can imagine in their nightmares and the self-hatred he has for being a part of them.

The setting is the 1980’s in the rural wooded country of West Virginia, and the fervent characters that live there are primarily seen from the point of view of Michael Morrow.

And seeing through that lens makes for an endlessly intriguing, albeit disturbing, voyage.

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Limited edition photography by Paul Michael Kane.

*SPOILER WARNING*

You only have to start the book to find yourself jumping at the sound of Mama’s voice.

Michael is woken to the sounds of a young woman in distress, but what is immediately striking is that it is the sound that it is alarming to him.

He abhors the sound, but he is also so familiar with it that he is numb to the frantic plea.

The gravity of the future murder is there, and he is upset but oddly removed from her, even as he feels for the young woman’s plight.

Michael more bemoans the fact that he needs to be ready to rise from his bed in the middle of the night and do Mama Morrow’s bidding.

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Limited edition photography by Paul Michael Kane.

When the young woman gets loose and flees through the trees, trying desperately to escape, you cannot help to get out of breath yourself as the vivid view from under the trees and the inner monologue of Michael draw you in.

He is the fastest runner among the Morrows, and so he must do as his adopted family commands: catch the girl so Mama can have her way with the young woman before she is literally butchered so the Morrows can make steaks and other things from her.

Michael does not want to be a part of it.

But he is so frightened of what Mama will do if he does not comply, he cannot see that he has any option but to obey.

He cleans up afterward and slices up and stores the cuts of meat.

It is as it has always been at his adopted family’s farmhouse.

The Morrows saved him from an abandoned home, and he was put into the keeping of his older brother who likes to be called Rebel, or Reb.

Reb has bullied Michael for so long, incessantly, that the reader jumps whenever Reb looks Michael’s way or says anything.

The brother terrifies him to the point of paranoia that is justified and the verbal abuse is truly just the smallest glimpse into the wickedness that the eldest son of the longtime cannibalistic family, the Morrows, brings to the story.

As Michael’s brother mixes truths and lies and starts to take his little brother to meet girls – not to scout for more victims, but to get them both dates – the horror of a twisting narrative full of insanely painful and blood-spattered experiences warps the psychological reality of a young man yearning for normalcy.

One microcosm of beauty from this story comes as a girl that Michael likes lends him a record of The Cure from the store she works at, and when he listens to it his entire soul erupts in happiness and his mind opens as it has never done before.

And then things go horribly, horribly wrong as his sister begins to dance and loses control.

*SPOILERS END HERE*

The grit in the writing is so real your hands feel scraped as you put the book down.

To take such a narrative to ever-increasing emotional highs and lows over the course of a detailed terrain, a world built to entrap the reader in its dangerous twists, is sensational.

This book is not for those who are squeamish at the sight of blood, and be warned you may find yourself choked up, nauseous, cheering, and crying all within a short span while reading.

For fiction fans, and in particular horror fans, you may have a new favorite book and author on your hands.

Brother feels as though it really happened, and that scares the hell out of me.

There is no escape from one’s brother . . . Or is there? But the cost . . .

Suntup Editions Numbered State Of Brother Is One Of The Closest Examples Of A Physical Book Possessed By A Story

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While I am sure the Suntup Editions lettered edition of Brother by Ania Ahlborn is also a fantastic work of art that emanates the dark tale, this review now shifts its focus to the fine press signed and numbered state.

What Paul Suntup has conjured for Brother is nothing short of remarkable.

The cover is like a fine cigar wrapper, smooth and yet full of a crinkly texture and its colors of brown and black produce a one of a kind effect for each book.

I have never held anything like this book in my hand!

fine press, small press, suntup editions, brother, Ania Ahlborn, Paul Suntup, Suntup, book review, book reviews

Limited edition photography by Paul Michael Kane.

The cover boards were constructed by Andrea Peterson, and each is formed via a custom handmade Walnut rag cotton paper has been coated with black walnut dye from the trees of the print artist’s own homestead.

Some softening and shellac seal the walnut and then standing bright amongst the deep tones are the title and author’s name in two hits of foil stamping.

I treasure this book.

The slipcase is heavy, hard, like acacia hardwood, and not only protects but beautifully represents the toughness from the work it encompasses.

Moving to within the pages, the endsheets are Hahnemühle Bugra and have a great feel to the palm and the paper is off-white and also excellent in the hand.

On top of the finest book design a fine press can deliver – from the chapter headings to the font and all of it – Brother features six full-color illustrations by World Fantasy Award winner Samuel Araya.

And these images conjure up a surrealistic quality that is unique and combines the weird beauty with the horrific intensity of Brother.

I cannot understate two things here:

The cover alone seems to project the novel within and is a special rare book collectors will pine over.

Two: because Suntup Editions decided to give a great book that had only previously been available in paperback a hardback en masse there were 500 copies made and signed of the numbered state of Brother and amazingly enough, because most of Suntup’s numbered books are limited to 250 or less, there are a few copies still available for sale here: https://suntup.press/brother.

Since nearly all of Suntup’s books have sold out, and most do at the hour of pre-sale (the last in less than three minutes), this fantastic edition of Brother is an anomaly ripe for the taking.

The Forgotten Fiction Grade: YEA (read BROTHER! And if you can read the Suntup Editions numbered state)

Here is an unboxing video done by our local professional unboxer Jeff Terry if you want to get a feel for what it is like to open up A Suntup Editions box and behold Brother in HD video:


ABOUT THE AUTHOR

Born in Ciechanow Poland, Ania Ahlborn has always been drawn to the darker, mysterious, and morbid side of life. Her earliest childhood memory is of crawling through a hole in the chain link fence that separated her family home from a large wooded cemetery, where she’d spend hours among the headstones, breaking up bouquets of silk flowers so everyone had their equal share.

Ania’s first novel, Seed, was self-published. It clawed its way up the Amazon charts to the number one horror spot, earning her a multi-book deal and a key to the kingdom of the macabre. Eight years later, she has published ten titles. Her work has been lauded by the likes of Publishers Weekly, New York Daily News, and The New York Times. [credit: Suntup.press]

www.aniaahlborn.com


Illustration © 2019 by Samuel Araya. Brother Limited Editions © 2019 by Suntup Editions*. Brother © 2015 by Ania Ahlborn. Limited edition photography by Paul Michael Kane as credited in captions; the unboxing video is by Jeff Terry; the remaining photography is by R.J. Huneke. Read more about The Contributors to the review article here. *[BROTHER Suntup Editions First Edition Release Date: January 2020; the novel Brother was originally published in paperback in 2015.]


P.S. If You Want To Know A Little More About How The Forgotten Fiction Is Different & Our Mission . . .

We are really trying to achieve two main goals here:

  1. To bolster every author who puts out a work of fiction long after the initial buzz that accompanied its release. This is something that is usually left to an expensive public relations manager or company and even with all of their powers of marketing / PR are limited in where they can place the book months after its launch. This includes limited edition and small press publications, like Suntup Editions, that are also reviewed for their physical beauty, as well as the work’s literary art and often illustrations, so long as the initial work has been out 60 days.
  2. We love books of fiction! And as readers we have too little time to read ALL of the books that fall onto our tentative To-Read List. The Forgotten Fiction hopes that with our Yea or Nay stamp, we can definitively give our unbiased opinion to you as a recommendation that may or may not move a book from the stack to your Must-Read List.

To Read More Details On Our Process Go To The About Page Here.

“Ania Ahlborn’s Brother Astounds In Limited Suntup Editions” was written by R.J. Huneke for The Forgotten Fiction.